Panel Discussion: Peripheral Vision(s)

McMaster Museum of Art
Wednesday, November 20,  6 – 9 pm
Doors open and refreshments 6 pm. Panel Discussion from 7 – 9 pm.

PANELISTS

Janet Berlo, professor of art/art history and visual culture, University of Rochester
Gerald McMaster, curator, artist, author, and Tier 1 Canada Research Chair of Indigenous visual culture and curatorial practice, Ontario College of Art and Design University, Toronto, ON
Jeffrey Thomas, independent photo-based artist, recipient of the 2019 Governor General Award for the Visual and Media Arts
Rhéanne Chartrand, curator of Indigenous art, McMaster Museum of Art

Please join us at the McMaster Museum of Art for an insightful, critical dialogue on the “Indian” image and how it has shaped and been shaped by artists over time. Drawing on themes central to Peripheral Vision(s)―representation, portraiture, commemoration, truth, and history-making―the panelists will offer up their individual perspectives on the work of 19th century Northern Plains warrior-artists and 20th century artists, Leonard Baskin and Fritz Scholder, whilst situating their works within the broadened context of Indigenous art history. The panelists have all contributed essays to the Peripheral Vision(s) publication which launches at this event.

This panel is presented as a complement to the exhibition Peripheral Vision(s) and is supported by the Terra Foundation for American Art.

This event is free and open to the public. Seating is first-come-first-served.


Banner images: Iron Cloud / MahpiyamazaIron Cloud performing Counting Coup or Scalp Dance, c. 1876, pencil and crayon on paper, Simcoe County Museum; Leonard BaskinWhite Man Runs Him – Crow Scout, 1993, lithograph on paper. Gift of Rabbi Bernard & Mrs. Marjorie Baskin, 1996. McMaster Museum of Art. © The Estate of Leonard Baskin; Courtesy Galerie St. Etienne, New York; Fritz ScholderPortrait of an American #2, 1973, lithograph on paper. Gift of Anthony and Rene Donaldson, Harwood Museum of Art, The University of New Mexico © Estate of Fritz Scholder

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The McMaster Museum of Art (MMA) is pleased to announce that Rhéanne Chartrand has been named the MMA’s inaugural Aboriginal Curatorial Resident. Her one-year residency runs July, 2016 through June, 2017.

During the year, Chartrand will develop two exhibitions at McMaster centered on Indigenous art.  More specifically, her focus will be contemporary Indigenous artists and the history of curatorial practice related to Indigenous art in Canada. Leading up to the exhibitions, her work at the Museum will include collections research, programming and partnerships with Indigenous communities.

Chartrand has worked with numerous galleries and cultural organizations including Aboriginal Pavillion for Toronto 2015 Pan Am Games, Indigenous Performing Arts Alliance, and aluCine Latin Film+Media Arts Festival. She brings rich experience and energy to the MMA residency, as well as a deep commitment to build cross-cultural connections and creative collaborations between Indigenous peoples of the Americas.

“The Museum has a strong history of exhibiting and collecting Indigenous art,” says MMA Director and Chief Curator Carol Podedworny. “We are thrilled to now welcome Rhéanne to our team, to learn from, and to share her voice and vision.”

This Residency was made possible by the Office of the President and the Office of the Provost, McMaster University.


Rhéanne Chartrand is a curator, arts administrator, and cultural animator based in Toronto, Canada. She holds an Honours Bachelor of Arts in History and Anthropology from McMaster University and a Master of Museum Studies from the University of Toronto. Rhéanne has over six years of experience producing interdisciplinary and multidisciplinary exhibitions, showcases and large-scale events. Recently, she served as Festival Coordinator for aluCine Latin Film+Media Arts Festival 2016. As well, she recently curated a performing arts showcase on behalf of Indigenous Performing Arts Alliance and prior to that, served as Artistic Director for the Aboriginal Pavilion, a 16 day Indigenous arts, culture and sports festival that was held in conjunction with the TORONTO 2015 Pan Am / Parapan Am Games. Rhéanne co-directed and co-produced the Aboriginal Pavilion’s Opening Night Showcase alongside Alejandro Ronceria, and solo curated Gazing Back, Looking Forward, a photographic and mixed media art exhibition at Fort York Visitor’s Centre. In addition to Gazing Back, Looking Forward, she has participated in other curatorial projects, most notably as co-curator of Sanaugaq // Things Made by Hand. She has participated on numerous academic and industry conference panels and has guest lectured at OCADU and McMaster University. In addition to her Métis roots in Canada, Rhéanne grew up with a deep appreciation of and connection to Latin American cultures.

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