M(M)A Education Staff Nicole Knibb Receive President’s Awards for Outstanding Service in 2025

Please join us in congratulating M(M)A’s Senior Educator (Academic and Professional Engagement) and Adjunct Professor in the Department of Family Medicine, Nicole Knibb, for receiving the President’s Awards for Outstanding Service in 2025. 

Nicole Knibb has made a profound and lasting contribution to interdisciplinary education, community engagement, and inclusive pedagogy at McMaster University. Through her leadership at the McMaster Museum of Art and as an Adjunct Assistant Professor, she has connected visual art with health education, professional learning, and social reflection. Grounded in decolonial practice, equity, and mentorship, Nicole’s work strengthens learning, research, and community connection. Her sustained innovation and leadership continue to enhance McMaster’s reputation for inclusive, humancentred education.  

Director and Chief Curator Mary Reid congratulated Knibb on stage during the ceremony, and remarked, “over her career, Nicole has demonstrated exceptional leadership, innovation, and sustained impact through her work. Through the implementation of strategic design, delivery, and evaluation of interdisciplinary learning initiatives, Nicole has successfully connected the visual arts with professional, academic, and various other communities across the university and beyond.”  

Nicole is a longstanding cocreator and steward of The Art of Seeing ™, a nationally recognized program that enhances observation, empathy, and reflective practice among medical learners, students, and leaders. Her work has expanded the role of the Museum as an academic partner and positioned McMaster as a leader in artsbased, experiential education. During the pandemic, she led successful pivots to virtual and hybrid delivery, expanding access while maintaining program quality. 

Nicole Knibb (Left) and McMaster President and Vice-Chancellor Susan Tighe (Right) at the President’s Award Ceremony at L.R. Wilson Hall.

We asked Nicole a few questions: 

When did you join McMaster/M(M)A, and how has your career at McMaster/M(M)A evolved since then?

NK: I began working at the M(M)A as a volunteer and as a work-study student in my third year in 1997. After graduating in 1999, I was hired full-time as an Information Officer. This role allowed me to build skills in art museum education, speaking with visitors and leading guided tours about the museum’s collection and exhibitions. In 2017, I became Senior Educator where I specialize in Health Humanities Art Education and Experiential Learning at the M(M)A. Since 2021, I’ve been an Adjunct Professor with the Department of Family Medicine.  

Throughout my career at McMaster and the McMaster Museum of Art (M(M)A), I have championed a number of initiatives. One of the most significant has been the development of the museum’s Education Department. We have built a remarkable team and continue to deliver impactful and engaging programming for our communities. Another initiative I am especially proud of is The Art of Seeing ™, a visual literacy program developed in partnership with Dr. Joyce Zazulak and the Department of Family Medicine. Through this collaboration, Joyce and I have had the opportunity to work with many inspiring individuals on a wide range of programs and projects that extend beyond the original scope of the partnership. 

I would also highlight the Futures Thinking and design work I have undertaken with Dr. Sean Park. Drawing on the expertise I developed through my Master of Design degree in Futures Thinking, it has been incredibly rewarding to translate these ideas into meaningful projects and real-world applications. 

What is a career highlight during your time at McMaster/M(M)A?

NK: This is a hard question. I would have to say the excellent collaborations and partnerships I’ve been part of over the years. There are so many good colleagues and students that I’ve been honoured to work with and learn from. There are too many to count so I hope they will read this and know who they are! 

What’s the story behind the development of The Art of Seeing ™ and what is it like seeing it evolve throughout the years?

NK: The Art of Seeing ™began in 2010. In 2016, inspired by programs at Harvard University and Yale University, we took a big step forward with the help of our McMaster MBA intern Kunal Tandan in expanding the program beyond Family Medicine and into other areas of health education, such as Midwifery—and also more broadly as community engagement. We have just worked with very keen McMaster Integrated Business Humanities fourth-year Capstone students to strategically plan for the future of the Art of Seeing ™. Looking at the expansion of AI, we hope the Art of Seeing ™ program can bolster care and discernment, ultimately the things that are truly human.  


Nicole and Mary wish to extend their thanks to people who shown support of this nomination. These include Victoria Bui, Nancy Buschert, Lorrie Gallant, Dr. Sean Park, Diana Singh, and Dr. Joyce Zazulak. To learn more about the President’s Awards and other recipients, click here to learn more. 

McMaster Museum of Art wins Exhibition of the Year for The Clichettes: Lips, Wigs and Politics

On Monday, December 1, 2025, Galeries Ontario / Ontario Galleries (GOG) announced the winners of the 48th Annual GOG Awards and the McMaster Museum of Art (M(M)A) took away the top award for the Exhibition of the Year (Budget Over $50K) for the Fall 2024 exhibition The Clichettes: Lips, Wigs and Politics produced in partnership with V-Tape.

The M(M)A team accepting the award at the 48th Galleries Ontario Galleries awards. From Left to right: Samuel de Lange, Jenn Helsdon, Hope Wickett, Nicole Levaque, Julie Bronson, Melissa La Porte, Carol Podedworny, Rob Gray, Betty Julian.

The apropos theme of event was GLAM given the content of the The Clichettes’ exhibition which celebrated the renowned artist trio of Louise Garfield, Johanna Householder and McMaster Associate Professor Janice Hladki. Their groundbreaking practice from 1978 to 1993 was at the crossroads of performance art and feminist satire bridging theatre, lip-sync, dance, drag, costume, and comedy, scrutinizing the tropes of femininity and masculinity. The group’s first-ever retrospective was curated by Dr. Ivana Dizdar and celebrated the many dynamic collaborations with artists, writers, designers, and directors, bringing together over 150 costumes, props, videos, photographs, drawings, scripts, and archival materials.

Installation view of the exhibition The Clichettes: Lips, Wigs, and Politics at the McMaster Museum of Art. Photo by Laura Findlay.

For Dizdar the exhibition production brought to life “the kindness, courage, spirit, magic, and friendship… In a world that feels chaotic and unjust, I hope this show stands as a testament to the power of art to help us imagine a better world.”

The GOG Awards celebrate the outstanding achievement, artistic merit, and excellence of arts institutions and professionals in the public art gallery sector across Ontario and to be shortlisted for an award is a tremendous honour. However, winning is an incredible accomplishment particularly for the M(M)A given the other shortlisted institutions in this category were the Art Gallery of Ontario and the Ottawa Art Gallery, whose budgets and resources far exceed those of the modest yet mighty M(M)A team. Special acknowledgement needs to be given to former Director and Chief Curator Carol Podedworny who stewarded the project and publication prior to her retirement, Betty Julian, Senior Curator, who saw the exhibition come to fruition, along with Preparator and Exhibition Designer, Sam de Lange, and Exhibition Coordinator Julie Bronson.

The Clichettes also extend their gratitude to “the many photographers, designers, wigmakers and musical influencers who contributed their work and to Kim Tomczak and Lisa Steele at V-Tape for bringing our recorded past into the present day.”

The GLAM (also an acronym for galleries, libraries, archives and museums) event also featured Toronto’s Poet Laureate, Lillian Allen, receiving an award for her contribution to The Clichettes’ exhibition catalogue. Another contributor, Dr. Mark Kingwell, University of Toronto Professor, was also shortlisted for a writing award as well the gorgeous publication designed by Rob Gray was up for an award.

Cover image of The Clichettes: Lips, Wigs, and Politics publication, edited by Ivana Dizdar Designed by Rob Gray

An impressive undertaking, The Clichettes exhibition, is an important example of how the museum serves as a liaison between the university and the wider public at large. From the number of partners and contributors to both the exhibition and publication production to the full circle moments such as McMaster alum Jenn Heldson, of The Muses, playing a key role in restoring the costumes and props of her former professor Janice Hladki along with her business partner Hope Wickett.

The important work that takes place at the M(M)A is certainly in service to the campus community yet has the ability to stretch out into the greater community at large, extending McMaster’s reach and impact.

On a personal note, when I was considering applying for the role of Director and Chief Curator, I visited this exhibition and was blown away, as many were, by its complexity, sassiness and sophistication. I left the Museum knowing that this was a place I wanted to join and belong. My intention is to continue to carry forward and build upon the impressive foundation that has been most deservingly acknowledged by Galeries Ontario / Ontario Galleries, for which the M(M)A is very thankful for this prestigious recognition.

Written by Mary Reid, MA, MBA, Director and Chief Curator

Announcing the 2022 SUMMA Award Winners

McMaster Museum of Art Awarded Major Grant from the Natural Sciences and Engineering Research Council of Canada

stylo starr a recipient of the Creator Award from the 2021 Hamilton Arts Awards