McMaster University hiring Director and Chief Curator, McMaster Museum of Art

McMaster University is currently reaching out to the community as we initiate the search for a new Director and Chief Curator, Museum of Art, a public gallery in the heart of main campus in Hamilton, Ontario. The Museum aims to positively disrupt the traditional museological narrative by creating more inclusive, dynamic and experiential relationships between peoples and artistic practices. The Director  and Chief Curator will continue to lead the momentum of existing strategic priorities for the Museum, while envisioning and building sustainable plans for the future.

About the Museum

The McMaster Museum of Art is a meeting space for both the campus and the community situated within the traditional territories of the Mississauga and Haudenosaunee nations. The Museum engages, educates and inspires through: growing an awareness of the interconnectivity of the past, present and future; advancing de-colonization; engaging in innovative and imaginative research; dismantling institutional and ideological boundaries; partnering and collaborating with intentionality; diversifying the collection; and building capacity. The 2020-2025 Strategic Plan which provides further details on current priorities can be accessed here.

About the Director and Chief Curator Role

The Director and Chief Curator provides dynamic leadership in the determination and implementation of strategic, financial, fundraising, promotion and infrastructure, planning and priorities for the McMaster Museum of Art and the university art collection with full participation and guidance in all policy development and associated decision making.

Reporting to the Provost and Vice-President (Academic), and collaborating with various community leaders, members, students and groups, the Director and Chief Curator will serve as a contributing member of the academic leadership team of the University. The Director and Chief Curator will also provide regular reporting updates to the President on strategic and long-range planning, Board related matters, the Levy Bequest and special events.

Core Accountabilities:

The Director and Chief Curator will lead a small team of professionals and oversee all strategic priorities and operational management of the Museum of Art.

  • Initiates policies; implements procedures and appropriate reporting mechanisms to ensure compliance and fulfillment of fiduciary trust and legal obligations on the part of McMaster University for one of its single largest capital assets.
  • Directs growth and development of the University art collection and the Levy Bequest; as well as operational management of the art collection to comply with responsibilities of public trust; and intellectual management of cultural and educational resources.
  • Generates a broader, stable funding base for Museum operations through fundraising, external profile development, sponsorships, grant applications and special revenue generating activities.
  • Represents the Museum and the University to donors, the media, all levels of government, private and public funding agencies, the national and international community of art museums and related public and educational programming.
  • Provides academic support in a range of discipline areas.
  • Develops a common vision for the Museum reflective of its varied constituents.
  • Fiscal management of the Museum and associated capital assets, professionals, artists and art dealers.
  • Develops and presents an annual schedule of exhibitions in collaboration with the curatorial team.

Related Experience:

The ideal candidate will have a passion for building community through the arts. They should be innovative, willing to engage constituents through traditional and non-traditional methods, and familiar with new and developing technology trends in the arts. They will have strength in relationship building and community engagement, a demonstrated track record of fundraising success, and experience working with diverse partners and teams including students, volunteers and donors. The successful candidate will have significant experience managing operations and staff leadership, administration, financial affairs, business development/marketing programs, strategic planning, and oversight of Board-directed initiatives.

  • A bachelor’s degree in arts, business or museum sciences (master’s degree preferred); or an equivalent combination of education and related lived experience.
  • 5+ years of successful managerial and leadership experience, as a director and/or administrator.
  • Successful leadership in a fundraising capacity with a proven track record of both public and private fundraising abilities as well as grant funding for programs.
  • Experience in financial management, including budget development and monitoring.
  • Excellent interpersonal, communication, and relationship building/networking skills.
  • A high degree of cultural competence and experience working with and serving diverse populations.
  • Strong organizational abilities including planning, delegating, program development and reporting.

What We Offer

At McMaster University, our people are our most valuable asset. In our commitment to creating a brighter world, McMaster University strives to attract, develop, and retain talented faculty and staff, and to foster inclusive excellence which values the strengths, perspectives, and contributions of each individual.  McMaster’s profile and stature has evolved to one of the Top 100 Universities in the World.  McMaster is consistently recognized as one of the top employers in the Hamilton/Niagara region and one of Canada’s Top Diversity employers, and offers a very competitive Total Compensation Package that includes but is not limited to:

  • Employer Paid benefits such as Extended Health, Dental, Emergency Out-of-Country Travel Coverage & Basic Life Insurance,
  • Progressive paid annual vacation plan,
  • Participation in a competitive Group Registered Retirement Savings Plan (RRSP),
  • Training, coaching and professional development opportunities,
  • Employee tuition assistance for continuous development and education,
  • Opportunity to be a part of an academic environment working alongside professionals who share a passion for learning.

For full details, reference McMaster’s Total Rewards website for additional information.

McMaster also offers a Flexible Work Environment, and this role will be eligible to participate in a hybrid work arrangement aligned with core operational requirements.

Additional Information

McMaster University is located on the traditional territories of the Haudenosaunee and Mississauga Nations and within the lands protected by the “Dish With One Spoon” wampum agreement.

The diversity of our workforce is at the core of our innovation and creativity and strengthens our research and teaching excellence. In keeping with its Statement on Building an Inclusive Community with a Shared Purpose, McMaster University strives to embody the values of respect, collaboration and diversity, and has a strong commitment to employment equity.

The University seeks qualified candidates who share our commitment to equity and inclusion, who will contribute to the diversification of ideas and perspectives, and especially welcomes applications from indigenous (First Nations, Métis or Inuit) peoples, members of racialized communities, persons with disabilities, women, and persons who identify as 2SLGBTQ+.

As part of McMaster’s commitment, all applicants are invited to complete a confidential Applicant Diversity Survey through the online application submission process. The Survey questionnaire requests voluntary self-identification in relation to equity-seeking groups that have historically faced and continue to face barriers in employment. Please refer to the Applicant Diversity Survey – Statement of Collection for additional information.

Job applicants requiring accommodation to participate in the hiring process should contact:

to communicate accommodation needs.

Link to apply.

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#WestdaleArtBattle2020 Gallery

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McMaster’s art collection inspires Westdale Art Battle starting May 4

New! #WestdaleArtBattle2020 RULES and inspiration 

INTRODUCTION FROM THE ART BATTLE ORGANIZER

Hi, my name is Mirielle Pearson, and I am currently a Grade 12 student enrolled in the French Immersion and Arts and Culture Specialist High Skills Major (SHSM) program at Westdale Secondary School. What I love the most about the SHSM program are the opportunities and experiences it provides, particularly those that connect the classroom experience with the art community. I have a growing interest in art history, curatorial practices, the exploration of new media and hands-on interactive environments. Because of this, I was excited to accept a Co-operative Learning placement at the McMaster Museum of Art.

This placement provides me with practical exposure to the real work environment of a museum curator, and opportunities to experience the real-world role of museums within communities. Next year I will be attending NSCAD University in Nova Scotia where I will continue my art education.

In 2019, the McMaster Museum of Art facilitated an Art Battle at Westdale Secondary School to encourage young artists to remain engaged and aware of the museum during its physical closure during renovations.

This year McMaster Museum of Art would like to expand upon this, inviting all students and budding artists from the community to participate in the Art Battle!  I’ve chosen four works from the McMaster Museum of Art collection to inspire your creations. You’ll have about a week to create your own piece based on one of these artworks.

On Monday, May 4, a link to a page of Art Battle rules and images of the four artworks will be posted at the top of this page.

Stay tuned, the Art Battle begins May 4!

Museum of Art heads into virtual school classrooms

Thank you from your local arts organizations

The arts are a means for connection and self-expression; they have always been essential sources of entertainment, communication, education, and comfort. We are deeply grateful to all of you who continue to encourage and support our artists and organizations, particularly as we all continue to face days and months of uncertainty and change.

We all remain committed to supporting and presenting music, art, dance, theatre, media art, craft, and literary works, during these difficult times. Visit us online to take gallery tours, see and hear performances, watch films, participate in workshops, or listen to a story!

We also owe an enormous measure of gratitude to all our front-line workers. Thank you for all your hard work.

Be safe, stay healthy, and we’ll see you soon.

From your local arts organizations…

local arts organizations logos

Join us for virtual Slow Art Day on April 4

Slow Art Day 2020

Join us on McMaster Museum of Art’s Instagram for a Virtual Slow Art Day this Saturday, April 4.

Date: Saturday, April 4th, 2020
Time: 12-2 PM
Where: Here on our @macmuseum Instagram feed and stories
No registration required, just hop on Instagram!

What is Slow Art Day?

Did you know that the average time spent viewing a work of art is only 7 seconds?  Slow Art Day is a worldwide movement to encourage slow looking and attempt to break down the barriers between the general public and the gallery setting.

In April every year, galleries and museums all over the world host Slow Art Day events where participants spend one hour pre-selected art works, followed by an open discussion about the art they’ve seen and how they’ve experienced it.    Due to the global COVID-19 situation, we’ve been challenged to rethink Slow Art Day for a virtual platform this year.  We’ll be rolling out images from our collection on the @macmuseum Instagram feed – join the discussion in the comments and on our stories!  The idea is that anyone can appreciate art and have something valuable to say about it, regardless of their level of knowledge about art or art history.

We look forward to “seeing” you Saturday!

This event is presented as part of the museum’s N. Gillian Cooper Education Programme.

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Deanna Bowen: A Harlem Nocturne

The McMaster Museum of Art proudly presents
Deanna Bowen: A Harlem Nocturne
Curated by Kimberly Phillips
Organized and circulated by the Contemporary Art Gallery, Vancouver
On view at the McMaster Museum of Art from January 16 to May 9, 2020

Deanna Bowen’s artistic practice concerns itself with histories of Black experience in Canada and the US. Her focus is the “dark matter” in our midst: figures and events that have remained below the threshold of visibility not because they are impossible to find but because their existence reveals a systematized racism difficult for the majority culture to acknowledge. Bowen reactivates historic material sourced from overlooked archives through a process of extraction, translation and enlargement, and then reinserts this material into public consciousness in a new form.

A Harlem Nocturne presents a terrain of research that Bowen undertook in Toronto and Vancouver over the past three years, recovered from civic documents, newspaper clippings and numerous personal and organizational archives. These materials trace a series of interconnected figures—many of them part of Bowen’s own family—who formed an integral part of the Canadian entertainment community from the 1940s through the 1970s. As Black bodies living and working in a settler colony underpinned by institutionalized racism, they were at once invisible and hyper-visible, simultaneously admired, exoticized and surveilled. They enjoyed certain celebrity in their local milieu but also endured differing degrees of bigotry, segregation and racial violence.

Bowen’s aim is to posit a powerful counterpoint to common narratives that oversimplify historical narratives of Canada’s complex and vibrant Black presence. She reminds us that even seemingly insignificant documents can be rich repositories for unintended readings, and for questioning who has been charged with writing our histories and why.

EVENTS

OPENING RECEPTION: Thursday, January 16, 2020, 6 – 8 p.m.
CURATOR’S TALK | Kimberly Phillips: Friday, January 17, 12:30 – 1:20 p.m.

MUSICAL PERFORMANCE BY COLINA PHILLIPS: February 6, 7 – 9 p.m.

ARTIST TALK / IN CONVERSATION: Thursday, February 27, 7 – 9 p.m.
Deanna Bowen
Pamela Edmonds (Senior Curator at McMaster Museum of Art)
Selina Mudavanhu (Assistant Professor, Communications Studies and Multimedia)
READ TRANSCRIPT of the conversation
FILM SCREENING / DISCUSSION:  Friday, April 3, 7 – 9 p.m.
Location: Black Box Theatre, L.R. Wilson Hall, McMaster University
Special off-site screening and discussion of Bowen’s edited cut of On Trial The Long Doorway

ABOUT THE ARTIST

Deanna Bowen is a Toronto-based interdisciplinary artist whose practice examines race, migration, historical writing and authorship. Bowen makes use of a repertoire of artistic gestures in order to define the Black body and trace its presence and movement in place and time. In recent years, Bowen’s work has involved rigorous examination of her family lineage and their connections to the Black Prairie pioneers of Alberta and Saskatchewan, the Creek Negroes and All-Black towns of Oklahoma, the extended Kentucky/Kansas Exoduster migrations and the Ku Klux Klan. She has received several awards in support of her artistic practice including the 2020 Governor General’s Award for Visual Art, 2017 Canada Council New Chapter and Ontario Arts Council Media Arts production grants, a 2016 Guggenheim Fellowship and the 2014 William H. Johnson Prize. She has exhibited at the Royal Ontario Museum, Toronto (2017); the Art Museum at the University of Toronto (2016); the Institute of Contemporary Art at the University of Pennsylvania, Philadelphia (2015); McMaster Museum of Art, Hamilton (2014 – 15) and the Art Gallery of York University, Toronto (2013).

INTERVIEW: Listen now to an Interview with Deanna Bowen on CFMU Radio Podcast
INTERVIEW: with Kimberly Phillips in the Silhouette

Deanna Bowen: A Harlem Nocturne is supported by the Canada Council for the Arts.

CAG CCA and MMA logos Deanna Bowen: A Harlem Nocturne

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Three Indigenous portraits spanning more than a century
Iron Cloud / Mahpiyamaza, Iron Cloud performing Counting Coup or Scalp Dance, c. 1876, pencil and crayon on paper, Simcoe County Museum; Leonard Baskin, White Man Runs Him – Crow Scout, 1993, lithograph on paper. Gift of Rabbi Bernard & Mrs. Marjorie Baskin, 1996. McMaster Museum of Art. © The Estate of Leonard Baskin; Courtesy Galerie St. Etienne, New York; Fritz Scholder, Portrait of an American #2, 1973, lithograph on paper. Gift of Anthony and Rene Donaldson, Harwood Museum of Art, The University of New Mexico © Estate of Fritz Scholder

McMaster Museum of Art proudly presents

Peripheral Vision(s)

Curated by Rhéanne Chartrand and Gerald McMaster
Supported by the Terra Foundation for American Art
Opening Reception: Thursday September 12, 6 – 8 pm
On view until December 20, 2019

A new exhibition at McMaster Museum of Art sparks a visual dialogue between 19th century ledger drawings by Northern Plains warrior-artists and the lithographic prints of 20th century American artists Leonard Baskin and Fritz Scholder.

“Essentially, this exhibition [Peripheral Vision(s)] is a critical rethinking of the origins of the ‘Indian’ image, endeavoring to understand how artists have shaped – and been shaped by – this image,” says Rhéanne Chartrand, Curator of Indigenous Art at the museum of art and co-curator of this exhibition. “It invites visitors to consider how the lens of the present shapes our understanding of the past.”

The exhibition draws together nearly 50 works of art from institutions across North America.

Twenty-one ledger drawings record, in veracious detail, the first-hand experiences of four 19th century warriors-turned-artists. These include Short Bull / Tȟatȟáŋka Ptéčela (Sičháŋǧu Lakota, c. 1845–1923), Pretty Eagle / Déaxitchish (Apsáalooke, 1846–1903), White Swan / Mee-nah-tsee-us (Apsáalooke, 1851–1904), and Iron Cloud / Mahpiyamaza (Lakota, 1851–?).

 

Within the exhibition space, these ledger drawings are placed into conversation with twelve of the twenty-seven “Indian portraits,” in McMaster’s collection by Jewish-American artist, Leonard Baskin (1922-2000) and fourteen lithographs by Luiseño/American artist, Fritz Scholder (1937-2005), borrowed from five prominent US institutions.

Individually and collectively, the artists in this exhibition occupied the periphery of mainstream Euro-American society, history, art, and culture during their lifetimes. Though almost a century separates them, they are bound together by their common creative pursuit of reflecting on vision(s) of self, of Other, of place, and on particular moments and events in ways that do not conform to, or uphold, the accepted “truths” of history.

“Together these artworks generate a new critical analysis of history, the politics of representation, image-making, and the overall intent of portraiture,” says Chartrand.

Peripheral Vision(s) is an exhibition that refutes the well-known adage “history is written by the victors,” encouraging visitors to activate their peripheral vision—largest portion of our visual field—in order to see objects, ideas, truths, gestures, and movement outside of their direct line of sight, or histories not at the centre of the dominant worldview.

EVENTS*

OPENING RECEPTION: Thursday, September 12, 6 – 8 pm
CURATOR’S TOUR by Rhéanne Chartrand: Wednesday, September 25, 12:30 – 1:20 pm

 

CONCERT | Night of Indigenous Music: Thursday, September 26, 7 – 9 pm
Cris Derksen
A rising star on the Canadian world / classical / folk / electronica scenes, award-winning Indigenous cellist Cris Derksen is known for building layers of sound into captivating performances. Her music braids the traditional and contemporary in multiple dimensions, weaving her traditional classical training and her Indigenous ancestry with new school electronics, creating genre defying music.

nêhiyawak
nêhiyawak hails from amiskwaciy in Treaty 6 Territory. The trio of Indigenous Canadian artists – Kris Harper (vocals, guitars), Marek Tyler (drums), and Matthew Cardinal (synths, bass) – transcends a new intersection of contemporary sound and the traditional storytelling of their ancestry. Their music is a resonant expression of indigeneity in the modern world.

PANEL DISCUSSION

Wednesday, November 20, 6 – 9 pm

– Janet Berlo, professor of art/art history and visual culture, University of Rochester
– Gerald McMaster, curator, artist, author, and Tier 1 Canada Research Chair of Indigenous visual culture and curatorial practice, OCADU
– Jeffrey Thomas, artist and recipient of the 2019 Governor General Award for the Visual & Media Arts
– Rhéanne Chartrand, curator of Indigenous art, McMaster Museum of Art*All events are free and open to the public.

 

THE SCHOLARSHIP

The exhibition will be accompanied by a significant publication exploring the “Indian” image with scholarly essays by some of the most prominent Indigenous and non-Indigenous voices within the fields of Indigenous art history and art criticism today:

  • Janet C. Berlo, Professor of Art/Art History and Visual Culture at University of Rochester;
  • Christina E. Burke, Curator of Native American & Non-Western Art, Philbrook Museum of Art, Tulsa, OK;
  • Paul Chaat Smith, Associate Curator at the National Museum of the American Indian, Washington, DC;
  • Gerald McMaster, curator, artist, author, and Tier 1 Canada Research Chair of Indigenous Visual Culture and Curatorial Practice, Ontario College of Art and Design University, Toronto, ON; and
  • Jeffrey Thomas, independent photo-based artist and research and recipient of the 2019 Governor General Award for the Visual Arts.
  • Rhéanne Chartrand, curator of Indigenous art, McMaster Museum of Art

LENDING INSTITUTIONS

Harwood Museum of Art at the University of New Mexico (Taos, NM)
IAIA Museum of Contemporary Native Arts (Santa Fe, NM)
Minneapolis Museum of Art (Minneapolis, MN)
Tucson Museum of Art (Tucson, AZ).
the Hood Museum of Art at Dartmouth College (Hanover, NH)
the Royal Ontario Museum (Toronto, ON)
Simcoe County Museum (Minesing, ON)


For more information about the exhibition, please contact:
Rhéanne Chartrand, Curator of Indigenous Art, McMaster Museum of Art
905-525-9140 ext. 27573   chartrr@mcmaster.ca

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