The Creative Process: Well-being through art with the McMaster Museum of Art

The Clichettes: Lips, Wigs, and Politics featured in CBC Arts

McMaster Museum of Art Announces New Mentees for the BIPOC Curatorial Mentorship Program

Movers and Makers: Artist Talks

Perspectives from Indigenous Skywatchers

Mapping the night sky: we are made of stardust + The Celestial Bear

NIIPA Alumni Reunion

NIIPA 20/20 featured in The Hamilton Spectator

NIIPA in the 90s

M(M)A Publications Now for Sale Online

New architecture tour blooms on campus

Tim Whiten in conversation with Erika DeFreitas

Pushing Against the Stream: Q&A with Artist

nichola feldman-kiss

Drawing Conclusions Continued: Creativity for Graduate Students

In Conversation: nichola feldman-kiss with Pamela Edmonds and Mona Filip

Celebrate Winterfest with the M(M)A!

McMaster Museum of Art and the Student Wellness Centre Present Find Your Way Back: Grounding Through Creativity

Pamela Edmonds’ Essay on Sandra Brewster Published by the Art Canada Institute

WATCH NOW: Immune Nations Panel Discussions

Immune Nations Panel Discussions: Registration Now Open!

National Day for Truth and Reconciliation – September 30, 2021

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Museum launches Curatorial Mentorship Program for BIPOC leadership

Hiba Abdallah’s neon sculpture lights up McMaster

Hands-On Art Programmes for McMaster Community

Museum’s first year at Hess Street School wraps with student print show

Letter from the Director

Supporting artists and diversifying McMaster’s art collection

Museum collection inspires a Grade 6 collective art quilt

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Prefix Photo Magazine reviews Peripheral Visions

Drawing Conclusions: Creativity for grad students series

Museum of Art heads into virtual school classrooms

Missed our virtual Slow Art Day?  Have your own at home

If you were unable to join us on Instagram for our first virtual Slow Art Day, have your own Slow Art Day at home by looking at the image of Franklin H. Carmichael’s Spring Snow (above) for 10 minutes.  We’ve included the captions/discussion questions from the nine detail images we shared on Instagram that day!

1. Welcome to our virtual Slow Art Day!  We’ll be rolling out a detail shot of one of our collection works every ten minutes for the next 90 minutes – at which point you’ll be able to see the full picture!  Join the discussion in the comments and on our stories. But first, let’s get to know each other!  Tell me where you’re located, your field of study/work, and whether or not you’ve attended a Slow Art Day event before.

I’m Rachel Sullivan, your host for today’s Virtual Slow Art day!  I’m an Information Officer at the McMaster Museum of Art, an artist, and a McMaster University Studio Arts grad.  I hosted my first Slow Art Day with the MMA back in 2013 as part of an internship while I was finishing up my undergrad.

2. Did you know that the average time spent viewing a work of art is only 7 seconds?  Slow Art Day is a worldwide movement to encourage slow looking and attempt to break down the barriers between the general public and the gallery setting.  Tag the last museum or gallery you were at and the person you were with in the comments!

3. We’ve had to switch up Slow Art Day this year to bring it to a virtual platform and do our part to stay home and social-distance.  How has social-distancing changed the way you view art?  Tag a friend you’re excited to see when we no longer have to social-distance!

I’ve been looking towards social media to view art – so many artists and arts institutions are putting out great content during this period of social distancing, even though they may be closed.  Follow #MMAfromhome to experience and engage with art and with us virtually while we’re working from  home! – Rachel Sullivan, Information Officer

4. MINDFULNESS These are strange times for us all.  How are you taking care of yourself during this time of social distancing?

I’ve been trying to move my body a little bit every day, do something creative, limit my news intake, and be mindful of the content I’m taking in (whether it’s social media, watching something on Netflix, or reading – I’m paying attention to things that are adding to the heaviness and cutting those out for the time being).  Taking care of your of yourself will look different every day – some days, it will look like simply getting out of bed, and that’s okay! – Rachel Sullivan, Information Officer

5. Viewing and creating artwork is an emotional, multi-sensory experience.  Check out the link in our bio to see how Sara Birkofer from the Cincinnati Art Museum engages visitors using scents, music, touchable objects, and food in the galleries. https://www.slowartday.com/creating-a-multisensory-gallery-experience/

6. Host your own Slow Art Day at home!  Spend 10 minutes looking at one of the artworks on your wall, and then ask yourself what you think about the artwork and how it makes you feel.  Did you notice anything about it that you hadn’t noticed before?  Make this a family activity – everyone will have a different experience with the chosen artwork, which might make you see things from a different perspective!

7. What are you grateful for during this time of slowing down?

I’m enjoying cooking more meals at home and spending more time with my husband.  I’m looking at this time as an opportunity to rest, take a step back, and evaluate what is really important to me.  – Rachel Sullivan, Information Officer

8. What’s the first museum or gallery you’re looking forward to visiting when everything reopens?

I’m looking forward to seeing my colleagues at the MMA once we’re all back in the office! – Rachel Sullivan, Information Officer

9. That’s a wrap – go to our feed @macmuseum to see this artwork in full.  What did you think of our first virtual @slowartday?  Have you been to a #slowartday event before?  How did your experience differ with a virtual event?

I’ll be hanging out in the comments and on stories until 2pm (on April 4)!  Thanks for joining us, we hope to see you soon!

Rachel Sullivan

– Rachel Sullivan, Information Officer, McMaster Museum of Art

Join us for virtual Slow Art Day on April 4

Slow Art Day 2020

Join us on McMaster Museum of Art’s Instagram for a Virtual Slow Art Day this Saturday, April 4.

Date: Saturday, April 4th, 2020
Time: 12-2 PM
Where: Here on our @macmuseum Instagram feed and stories
No registration required, just hop on Instagram!

What is Slow Art Day?

Did you know that the average time spent viewing a work of art is only 7 seconds?  Slow Art Day is a worldwide movement to encourage slow looking and attempt to break down the barriers between the general public and the gallery setting.

In April every year, galleries and museums all over the world host Slow Art Day events where participants spend one hour pre-selected art works, followed by an open discussion about the art they’ve seen and how they’ve experienced it.    Due to the global COVID-19 situation, we’ve been challenged to rethink Slow Art Day for a virtual platform this year.  We’ll be rolling out images from our collection on the @macmuseum Instagram feed – join the discussion in the comments and on our stories!  The idea is that anyone can appreciate art and have something valuable to say about it, regardless of their level of knowledge about art or art history.

We look forward to “seeing” you Saturday!

This event is presented as part of the museum’s N. Gillian Cooper Education Programme.

Artist Panel for Animals Across Discipline, Time & Space | March 19

Deanna Bowen receives a $25K Governor General’s art award

Artist Talk / In Conversation: Deanna Bowen and Professor Selina Mudavanhu

Deanna Bowen: A Harlem Nocturne

The McMaster Museum of Art proudly presents
Deanna Bowen: A Harlem Nocturne
Curated by Kimberly Phillips
Organized and circulated by the Contemporary Art Gallery, Vancouver
On view at the McMaster Museum of Art from January 16 to May 9, 2020

Deanna Bowen’s artistic practice concerns itself with histories of Black experience in Canada and the US. Her focus is the “dark matter” in our midst: figures and events that have remained below the threshold of visibility not because they are impossible to find but because their existence reveals a systematized racism difficult for the majority culture to acknowledge. Bowen reactivates historic material sourced from overlooked archives through a process of extraction, translation and enlargement, and then reinserts this material into public consciousness in a new form.

A Harlem Nocturne presents a terrain of research that Bowen undertook in Toronto and Vancouver over the past three years, recovered from civic documents, newspaper clippings and numerous personal and organizational archives. These materials trace a series of interconnected figures—many of them part of Bowen’s own family—who formed an integral part of the Canadian entertainment community from the 1940s through the 1970s. As Black bodies living and working in a settler colony underpinned by institutionalized racism, they were at once invisible and hyper-visible, simultaneously admired, exoticized and surveilled. They enjoyed certain celebrity in their local milieu but also endured differing degrees of bigotry, segregation and racial violence.

Bowen’s aim is to posit a powerful counterpoint to common narratives that oversimplify historical narratives of Canada’s complex and vibrant Black presence. She reminds us that even seemingly insignificant documents can be rich repositories for unintended readings, and for questioning who has been charged with writing our histories and why.

EVENTS

OPENING RECEPTION: Thursday, January 16, 2020, 6 – 8 p.m.
CURATOR’S TALK | Kimberly Phillips: Friday, January 17, 12:30 – 1:20 p.m.

MUSICAL PERFORMANCE BY COLINA PHILLIPS: February 6, 7 – 9 p.m.

ARTIST TALK / IN CONVERSATION: Thursday, February 27, 7 – 9 p.m.
Deanna Bowen
Pamela Edmonds (Senior Curator at McMaster Museum of Art)
Selina Mudavanhu (Assistant Professor, Communications Studies and Multimedia)
READ TRANSCRIPT of the conversation
FILM SCREENING / DISCUSSION:  Friday, April 3, 7 – 9 p.m.
Location: Black Box Theatre, L.R. Wilson Hall, McMaster University
Special off-site screening and discussion of Bowen’s edited cut of On Trial The Long Doorway

ABOUT THE ARTIST

Deanna Bowen is a Toronto-based interdisciplinary artist whose practice examines race, migration, historical writing and authorship. Bowen makes use of a repertoire of artistic gestures in order to define the Black body and trace its presence and movement in place and time. In recent years, Bowen’s work has involved rigorous examination of her family lineage and their connections to the Black Prairie pioneers of Alberta and Saskatchewan, the Creek Negroes and All-Black towns of Oklahoma, the extended Kentucky/Kansas Exoduster migrations and the Ku Klux Klan. She has received several awards in support of her artistic practice including the 2020 Governor General’s Award for Visual Art, 2017 Canada Council New Chapter and Ontario Arts Council Media Arts production grants, a 2016 Guggenheim Fellowship and the 2014 William H. Johnson Prize. She has exhibited at the Royal Ontario Museum, Toronto (2017); the Art Museum at the University of Toronto (2016); the Institute of Contemporary Art at the University of Pennsylvania, Philadelphia (2015); McMaster Museum of Art, Hamilton (2014 – 15) and the Art Gallery of York University, Toronto (2013).

INTERVIEW: Listen now to an Interview with Deanna Bowen on CFMU Radio Podcast
INTERVIEW: with Kimberly Phillips in the Silhouette

Deanna Bowen: A Harlem Nocturne is supported by the Canada Council for the Arts.

CAG CCA and MMA logos Deanna Bowen: A Harlem Nocturne

Celebrating 10 years of The Art of Seeing

Museum of Art partners with Hess Street School

Talk by Art Collector Dr. Kenneth Montague

Talk by art critic Merray Gerges on Nov 28

NEW! Pamela Edmonds presents Curator’s Talk Nov 1

Talk & Tour of Peripheral Vision(s) with Rhéanne Chartrand

Westdale Secondary School Art Battle show

New curator puts a new spin on McMaster’s Levy collection

Notes from our architecture tours