Chasm continues a series of recent exhibitions exploring the permanent collection at the McMaster Museum of Art through critical curatorial frameworks. This exhibition offers diverse and transcultural perspectives and interpretations of the museum’s holdings, including recent acquisitions.
Chasm takes the unique vantage point of critiquing the power dynamics of colonialism from within the museum, informed by the transcultural positions of resistance that seek Indigenous sovereignty and Black liberation.
Guest curator and former M(M)A Senior Curator Pamela Edmonds, and M(M)A Adjunct Senior Curator Betty Julian present this critical and exploratory exhibition as a project making connections to art discourses and ideologies related to modernism, critiques of the white cube gallery, alterity, and ontological space. Our interests are to consider and to actively shift hegemonic paradigms through a radical rethinking of the exhibition space.
Our curatorial conversations on how to activate critical dialogue within museums through exhibitions are meant to encourage and expand informed engagement. Our critical and curatorial tasks have been to find ways through our work to redress and resist the cultural amnesia surrounding intersecting systems of colonialism, patriarchy, capitalism and the anti-Black racism inherent in the foundation of our art institutions.
The full exhibition will be available for viewing until December 8, our fourth floor will remain on view until January 26.
Artists: Marissa Y Alexander, Sonny Assu, Nicolas Baier, Catherine Blackburn, Deanna Bowen, Joseph Calleja, Douglas Clark, Chris Cran, Paul Cvetich, Cathy Daley, Max Dean, Stan Douglas, FASTWÜRMS, Gerald Ferguson, Yves Gaucher, Betty Goodwin, Francisco José de Goya y Lucientes, Angela Grauerholz, Spring Hurlbut, Clarissa Inglis, Alfredo Jaar, Svava Thordis Juliusson, Anselm Kiefer, Kapwani Kiwanga, James Lahey, Rita Letendre, Gino Lorcini, Liz Magor, John Massey, Guido Molinari, Shelley Niro, Ed Pien, Margaret Priest, Arthur Renwick, Susan Schielle, Takao Tanabe, Michael Thompson, Graham Todd, Serge Tousignant, Jan Wade, Shellie Zhang
A curatorial research document is available in both English and French for this exhibition. If you are interested in receiving a copy, please contact us at museum@mcmaster.ca.
JOIN US:
Opening Reception
Thursday, September 28, 5-8 PM
Please join us for an evening celebrating the opening of the collection exhibition Chasm, co-curated by Pamela Edmonds and Betty Julian. Remarks will begin at 6:30PM. We are excited to share that many of our exhibiting artists will be in attendance. This event is free and all are welcome!
Talk with Christina Leslie
Wednesday, October 25, 12:30-1:20 PM
Curators in Conversation
Wednesday, November 1, 12:30-1:20 PM Please register
Talk with Alex Jacobs-Blum This event was cancelled, please enjoy the virtual talk and tour here.
Left: Nicolas Baier, Octobre, 2000. Digital print on Duraflex paper mounted on rolled steel. Gift of Miriam Shiell, 2012.
Link to Publications Archive for a complete list of publications
FEATURED PUBLICATIONS
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The Clichettes: Lips, Wigs, and Politics
Published on the occasion of the exhibition The Clichettes: Lips, Wigs, and Politics held at the McMaster Museum of Art (M(M)A) in Hamilton, Ontario in 2024. With essays by Ivana Dizdar, Marni Jackson, John Greyson, Alexandra Schwartz, Mark Kingwell, rl Goldberg, Lillian Allen, and Wanda Nanibush. Bridging theatre, lip-sync, dance, drag, costume, and comedy, the […]
Barbara Astman, Carl Beam, Meryl McMaster, Sorel Cohen, Joseph Beuys, Bidemi Oloyede, Christina Leslie, Jeff Thomas, Micah Lexier, László Moholy-Nagy This exhibition brings together artworks drawn from the M(M)A permanent collection that present diverse ways of exploring self-imaging and subjectivity through different types of photo-based media. Expanding the genres of portraiture and self-portraiture, selected works […]
Coins in the McMaster Museum of Art: The Greek and Roman Collections
Ancient Greek and Roman coinage represents the intersection of politics, economics, and art; no other medium in the ancient world more closely reflects the decisions of administrations, the expectations of civic bodies, and detailed craftspersonship. Coins are among the most ubiquitous artifacts from Classical antiquity and despite their small size, are among the most instructive […]
This catalogue documents a multi-year art-science project called Immune Nations, produced on the occasion of its exhibition at the McMaster Museum of Art in Hamilton, Ontario, Canada. Initiated in 2014 and co-led by Steven Hoffman (York University), Sean Caulfield (University of Alberta), and Natalie Loveless (University of Alberta), Immune Nations brought together scientists, policy experts, […]
Peripheral Vision(s) includes scholarly essays by some of the most prominent Indigenous and non-Indigenous voices within the fields of Indigenous art history and art criticism today.
The McMaster Museum of Art is presently not accepting artists’ submissions for exhibitions at this time of leadership change at the museum. Our Interim Director will be undertaking a review of the museum’s forward exhibition schedule, as well as our policies and procedures, in the coming months. Our present focus is the ongoing maintenance of our permanent collection and storage needs for future collection activities.
The museum remains committed to our collecting priority in the continued support of early career, mid-career and established Indigenous artists, artists of the Black diaspora and racialized artists through purchases and commissions. Donations will be welcomed and reviewed at a future date which will be posted on our website.
ASSISTANCE:
The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.
Please note that there has been a delay in the OAC opening the 2024-2025 program. This webpage will be updated with our deadlines as soon as possible.
Priorities:
Artists who demonstrate an interest and consideration of art as a medium for social change and action.
Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:
Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work