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PAST EXHIBITION

Detail of Rajni Perera, Storm, 2020. Rajni Perera, Storm, 2020, mixed media on marbled paper.

Rajni Perera: Futures

Rajni Perera is one of Canada’s most promising contemporary multimedia artists. Experimenting with mediums as varied as painting, sculpture and photography, the Toronto-based artist expresses her vision of imagined futures in which mutated subjects exist in dystopian realms. Drawing deeply on the artistic traditions of her birthplace, Sri Lanka, as well as Indian miniature painting, medieval armour and science fiction, Perera has created a body of work that spans feminist and diasporic themes, while contemplating survival in an environmentally degraded future. Perera’s work responds to existential threats with creativity and invention, offering a vision charged with humour and sharp critique, hope and dread. Underscored by current global affairs and accelerated climate change, Perera’s vision is as timely as it is compelling.

Futures includes works from all phases of the artist’s career, early examples of Perera’s mutated goddesses are displayed in concert with her more recent abstractions and sculptures.


Opening Reception
Thursday, February 29, 5-8PM
Remarks at 6PM followed by introduction and walkthrough with artist Rajni Perera.

Organized and Circulated By

McMichael Canadian Art Collection logo

With Support From

Canada Council for the Arts logo

Image: Rajni Perera, Storm, 2020, mixed media on marbled paper, 76.2 × 61 cm, James McKellar. Photo courtesy of the artist and Patel Brown © Rajni Perera


Didactic and Artwork Descriptions

Thank you in advance for your patience while we pilot this new approach to providing descriptive exhibition information. If there is an accessibility issue with the documents above, or you would like to make a request for materials, please email museum@mcmaster.ca

Curated by: Sarah Milroy

February 13, 2024 – May 17, 2024

VIEW ARCHIVE
Link to Exhibitions Archive for a complete list of past exhibitions

PAST EXHIBITIONS

A blurred person walks in front of a wall featuring the photographic series Grace (2006). The artworks on display are photos of figures with hands covering their faces. Installation view of I'm Not Your Kinda Princess at Plug In ICA.

Lori Blondeau: I’m Not Your Kinda Princess

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Faded title

SUMMA 2024: Yearbook

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Detail of Rajni Perera, Storm, 2020.

Rajni Perera: Futures

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A collaged and layered photograph of the Grand River floats in the centre of a black background, along with the words: Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s Image courtesy of Courtney Skye. The list of artists is displayed along the bottom: Dakota Brant, Denny Doolittle, Elizabeth Doxtater, Kaya Hill, Rick Hill, Arnold Jacobs, Ken Maracle, Shelley Niro, Protect The Tract Artist Collective, Steve Smith, Greg Staats, Kristen E. Summers, Jeff Thomas

We Remain Certain
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s

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Two artworks suspended in a grey background; Nicholas Baier's Octobre, and Shelley Niro's Nature's Wild Children.

Chasm

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Artist Mike MacDonald in Gage Park, photo captured by Dianne Bos.

Lisa Myers: Finding what Grows

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The SUMMA 2023 logo is an overlapping triple diamond design, featuring shapes coloured in gradient from red to yellow, purple to pink, and green to blue. The logo is suspended in the centre of a background consisting of a pink and blue swirling gradient.

SUMMA 2023 – Where We Intersect: Identities, Environments, Activisms

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Screen grab of the virtual artwork refuge (SIREN), by nichola feldman-kiss & Matheuszik with SPATIAL-ESK. The image shows an underwater landscape with an iceberg, floating scales, and a far away architectural structure surrounded by floating stools.

nichola feldman-kiss / refuge (SIREN)

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SUBMISSIONS & ASSISTANCE

SUBMISSIONS:

The McMaster Museum of Art is presently not accepting artists’ submissions for exhibitions at this time of leadership change at the museum.  Our Interim Director will be undertaking a review of the museum’s forward exhibition schedule, as well as our policies and procedures, in the coming months.  Our present focus is the ongoing maintenance of our permanent collection and storage needs for future collection activities.

The museum remains committed to our collecting priority in the continued support of early career, mid-career and established Indigenous artists, artists of the Black diaspora and racialized artists through purchases and commissions. Donations will be welcomed and reviewed at a future date which will be posted on our website.

ASSISTANCE:

The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.

Please note that there has been a delay in the OAC opening the 2024-2025 program. This webpage will be updated with our deadlines as soon as possible.

Priorities:
Artists who demonstrate an interest and consideration of art as a medium for social change and action.

Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:

Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work