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PAST EXHIBITION

Courtesy of Courtney Skye.
A collaged and layered photograph of the Grand River floats in the centre of a black background, along with the words: Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s Image courtesy of Courtney Skye. A collaged and layered photograph of the Grand River floats in the centre of a black background, along with the words: Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s Image courtesy of Courtney Skye.

We Remain Certain
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s

We Remain Certain shows the enduring relationship between Haudenosaunee and their home in Grand River Territory. A group exhibition curated by a collective of Haudenosaunee artists, these contemporary works explore Haudenosaunee land tenure and the complex history, treaty agreements, and displacements along the Grand. This exhibition strives to generate thought and conversation as a means to guide relationships by employing Haudenosaunee “Original Instructions” as a foundation of understanding and collaborating on our shared future.

Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s
Awęhęgyeh shęh hodęˀ dewahde:nihs, haˀgadagyeˀshǫˀ shęh nˀagwanigǫ̲ha:do:gę:
It does not matter what continually changes, our understanding remains certain

Artists: Dakota Brant, Denny Doolittle, Elizabeth Doxtater, Kaya Hill, Rick Hill, Arnold Jacobs, Ken Maracle, Shelley Niro, Protect The Tract Artist Collective, Steve Smith, Greg Staats, Kristen E. Summers, Jeff Thomas

Beaders: Talena Atfield, Tesha Emarthle, Jija Jacobs, Kahionwinehshon Phillips


Opening Reception
Thursday, January 11, 5-8PM

Artist Talk with Elizabeth Doxtater, Greg Staats, and Gadaihǫngwas
Wednesday, March 20, 2-3PM
Limited seating and standing room available in-person
Register to attend via Zoom, or the join the Facebook Livestream

Corn Husk Doll Workshop with Elizabeth Doxtater
Friday, March 22, 10AM
Register here *This event is sold out, thank you for your interest.


This exhibition is supported in part by funding from the Social Sciences and Humanities Research Council and Lush Fresh Handmade Cosmetics.

The McMaster Museum of Art gratefully acknowledges our supporters
Ontario Arts Council logo          Ontario logo


Documents available for this exhibition:
Didactic and Wall Text
Artwork Descriptions
Moratorium Video Transcript

Thank you in advance for your patience while we pilot this new approach to providing descriptive exhibition information. If there is an accessibility issue with the documents above, or you would like to make a request for materials, please email museum@mcmaster.ca

Curated by: Protect the Tract

January 09, 2024 – March 22, 2024

VIEW ARCHIVE
Link to Exhibitions Archive for a complete list of past exhibitions

MORE PAST EXHIBITIONS

A blurred person walks in front of a wall featuring the photographic series Grace (2006). The artworks on display are photos of figures with hands covering their faces. Installation view of I'm Not Your Kinda Princess at Plug In ICA.

Lori Blondeau: I’m Not Your Kinda Princess

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A photo of The Clichettes dressed as muscular men with wild hair, they are jumping mid-air holding colourful guitars.

The Clichettes: Lips, Wigs, and Politics

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Faded title

SUMMA 2024: Yearbook

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Detail of Rajni Perera, Storm, 2020.

Rajni Perera: Futures

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A collaged and layered photograph of the Grand River floats in the centre of a black background, along with the words: Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s Image courtesy of Courtney Skye. The list of artists is displayed along the bottom: Dakota Brant, Denny Doolittle, Elizabeth Doxtater, Kaya Hill, Rick Hill, Arnold Jacobs, Ken Maracle, Shelley Niro, Protect The Tract Artist Collective, Steve Smith, Greg Staats, Kristen E. Summers, Jeff Thomas

We Remain Certain
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s

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Two artworks suspended in a grey background; Nicholas Baier's Octobre, and Shelley Niro's Nature's Wild Children.

Chasm

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Artist Mike MacDonald in Gage Park, photo captured by Dianne Bos.

Lisa Myers: Finding what Grows

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The SUMMA 2023 logo is an overlapping triple diamond design, featuring shapes coloured in gradient from red to yellow, purple to pink, and green to blue. The logo is suspended in the centre of a background consisting of a pink and blue swirling gradient.

SUMMA 2023 – Where We Intersect: Identities, Environments, Activisms

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SUBMISSIONS & ASSISTANCE

SUBMISSIONS:

The McMaster Museum of Art is presently not accepting artists’ submissions for exhibitions at this time of leadership change at the museum.  Our Interim Director will be undertaking a review of the museum’s forward exhibition schedule, as well as our policies and procedures, in the coming months.  Our present focus is the ongoing maintenance of our permanent collection and storage needs for future collection activities.

The museum remains committed to our collecting priority in the continued support of early career, mid-career and established Indigenous artists, artists of the Black diaspora and racialized artists through purchases and commissions. Donations will be welcomed and reviewed at a future date which will be posted on our website.

ASSISTANCE:

The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.

The museum is currently accepting applications. Our next program deadline is: December 16, 2024.

Priorities:
Artists who demonstrate an interest and consideration of art as a medium for social change and action.

Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:

Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work