PAST EXHIBITION
STRUCK BY LIKENING: The Power & Discontents of Artworld Analogies
Struck by Likening explores commonplace declarations such as “Tom Thomson is the Van Gogh of Canada” and Norval Morrisseau is “the Picasso of the North” and the issues raised by such comparisons. These include national aspiration, genius, gender, anachronism, inter-media comparison, humour, and cultural appropriation.
Works of art in the exhibition are drawn from the historical, modern and contemporary collection of the McMaster Museum of Art, and loans from the Art Gallery of Hamilton, the Art Museum at the University of Toronto, Museum London and the Corkin Gallery, Toronto.
Professor Cheetham gratefully acknowledges the research support of the Social Sciences and Humanities Research Council of Canada.
Image: Tom Thomson (Canadian 1877 – 1917) The Birch Grove, Autumn 1915–16, oil on canvas, Art Gallery of Hamilton, Gift of Roy Cole in memory of his parents, Matthew and Annie Bell Gilmore.
Guest Curator: Mark A. Cheetham
January 01, 1970 – January 01, 1970
UPCOMING EXHIBITIONS
MORE PAST EXHIBITIONS
We Remain Certain
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s
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FEATURED PUBLICATIONS
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The Clichettes: Lips, Wigs, and Politics
Published on the occasion of the exhibition The Clichettes: Lips, Wigs, and Politics held at the McMaster Museum of Art (M(M)A) in Hamilton, Ontario in 2024. With essays by Ivana Dizdar, Marni Jackson, John Greyson, Alexandra Schwartz, Mark Kingwell, rl Goldberg, Lillian Allen, and Wanda Nanibush. Bridging theatre, lip-sync, dance, drag, costume, and comedy, the […]
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self/same/other
Barbara Astman, Carl Beam, Meryl McMaster, Sorel Cohen, Joseph Beuys, Bidemi Oloyede, Christina Leslie, Jeff Thomas, Micah Lexier, László Moholy-Nagy This exhibition brings together artworks drawn from the M(M)A permanent collection that present diverse ways of exploring self-imaging and subjectivity through different types of photo-based media. Expanding the genres of portraiture and self-portraiture, selected works […]
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Coins in the McMaster Museum of Art: The Greek and Roman Collections
Ancient Greek and Roman coinage represents the intersection of politics, economics, and art; no other medium in the ancient world more closely reflects the decisions of administrations, the expectations of civic bodies, and detailed craftspersonship. Coins are among the most ubiquitous artifacts from Classical antiquity and despite their small size, are among the most instructive […]
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IMMUNE NATIONS
This catalogue documents a multi-year art-science project called Immune Nations, produced on the occasion of its exhibition at the McMaster Museum of Art in Hamilton, Ontario, Canada. Initiated in 2014 and co-led by Steven Hoffman (York University), Sean Caulfield (University of Alberta), and Natalie Loveless (University of Alberta), Immune Nations brought together scientists, policy experts, […]
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Peripheral Vision(s)
Peripheral Vision(s) includes scholarly essays by some of the most prominent Indigenous and non-Indigenous voices within the fields of Indigenous art history and art criticism today.
SUBMISSIONS & ASSISTANCE
SUBMISSIONS:
The McMaster Museum of Art is presently not accepting artists’ submissions for exhibitions at this time of leadership change at the museum. Our Interim Director will be undertaking a review of the museum’s forward exhibition schedule, as well as our policies and procedures, in the coming months. Our present focus is the ongoing maintenance of our permanent collection and storage needs for future collection activities.
The museum remains committed to our collecting priority in the continued support of early career, mid-career and established Indigenous artists, artists of the Black diaspora and racialized artists through purchases and commissions. Donations will be welcomed and reviewed at a future date which will be posted on our website.
ASSISTANCE:
The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.
Please note that there has been a delay in the OAC opening the 2024-2025 program. This webpage will be updated with our deadlines as soon as possible.
Priorities:
Artists who demonstrate an interest and consideration of art as a medium for social change and action.
Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:
Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work
