PAST EXHIBITION
FRANCOIS DALLEGRET: Beyond the Bubble
François Dallegret trained as an architect at the École des Beaux-Arts in Paris in the late 1950s. He moved to North America; first to New York and then Montreal in 1964. Dallegret has since and continues to slip between disciplines, working as an artist, entrepreneur, theoretical architect (before the term was in general use), industrial and graphic designer, writer and social commentator.
Although his work over the past fifty years has been firmly planted within the possibilities offered by contemporary technologies – his 1964 drawing of a personal, wrap-around electronic communicator l’intro conversomatic has become a commonplace reality in the current world of smart phones & ipads – Dallegret can be seen in the context of 19th century idealism; the engineer as artist, the inventor as philosopher and so on. And while his work carries the sense of wonder of the modern age, manifest in the pure beauty of the object, it is also tempered by the realities of social, economic and cultural issues, and often framed with a quixotic sense of humour and irony.
GOD & CO offers a unique view into Dallegret’s work and activities, a de facto retrospective that engages his active thoughts. Organized by the Architectural Association School of Architecture (UK), it opened in London in late 2011 and has subsequently been presented in Paris and Zurich. This is the first presentation In Canada.
The exhibition is accompanied by a 384-page illustrated publication with texts by Alessandra Ponte, Laurent Stalder and Thomas Weaver.
Curated by: McMaster Museum of Art
January 09, 2014 – March 29, 2014
UPCOMING EXHIBITIONS
MORE PAST EXHIBITIONS
We Remain Certain
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s
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FEATURED PUBLICATIONS
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The Clichettes: Lips, Wigs, and Politics
Published on the occasion of the exhibition The Clichettes: Lips, Wigs, and Politics held at the McMaster Museum of Art (M(M)A) in Hamilton, Ontario in 2024. With essays by Ivana Dizdar, Marni Jackson, John Greyson, Alexandra Schwartz, Mark Kingwell, rl Goldberg, Lillian Allen, and Wanda Nanibush. Bridging theatre, lip-sync, dance, drag, costume, and comedy, the […]
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self/same/other
Barbara Astman, Carl Beam, Meryl McMaster, Sorel Cohen, Joseph Beuys, Bidemi Oloyede, Christina Leslie, Jeff Thomas, Micah Lexier, László Moholy-Nagy This exhibition brings together artworks drawn from the M(M)A permanent collection that present diverse ways of exploring self-imaging and subjectivity through different types of photo-based media. Expanding the genres of portraiture and self-portraiture, selected works […]
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Coins in the McMaster Museum of Art: The Greek and Roman Collections
Ancient Greek and Roman coinage represents the intersection of politics, economics, and art; no other medium in the ancient world more closely reflects the decisions of administrations, the expectations of civic bodies, and detailed craftspersonship. Coins are among the most ubiquitous artifacts from Classical antiquity and despite their small size, are among the most instructive […]
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IMMUNE NATIONS
This catalogue documents a multi-year art-science project called Immune Nations, produced on the occasion of its exhibition at the McMaster Museum of Art in Hamilton, Ontario, Canada. Initiated in 2014 and co-led by Steven Hoffman (York University), Sean Caulfield (University of Alberta), and Natalie Loveless (University of Alberta), Immune Nations brought together scientists, policy experts, […]
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Peripheral Vision(s)
Peripheral Vision(s) includes scholarly essays by some of the most prominent Indigenous and non-Indigenous voices within the fields of Indigenous art history and art criticism today.
SUBMISSIONS & ASSISTANCE
SUBMISSIONS:
The McMaster Museum of Art is presently not accepting artists’ submissions for exhibitions at this time of leadership change at the museum. Our Interim Director will be undertaking a review of the museum’s forward exhibition schedule, as well as our policies and procedures, in the coming months. Our present focus is the ongoing maintenance of our permanent collection and storage needs for future collection activities.
The museum remains committed to our collecting priority in the continued support of early career, mid-career and established Indigenous artists, artists of the Black diaspora and racialized artists through purchases and commissions. Donations will be welcomed and reviewed at a future date which will be posted on our website.
ASSISTANCE:
The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.
Please note that there has been a delay in the OAC opening the 2024-2025 program. This webpage will be updated with our deadlines as soon as possible.
Priorities:
Artists who demonstrate an interest and consideration of art as a medium for social change and action.
Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:
Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work
