PAST EXHIBITION
The Haunted Scanner
Magnetic Resonance Imaging (MRI) scanners are high-tech medical instruments that use nuclear physics to aid in medical diagnosis and neuroscientific research. MRI scanners manipulate the tissues of subjects’ brains at the subatomic level to reveal anatomical structures or, as in the case of FMRI (Functional Magnetic Resonance Imaging), they map activity taking place in selected regions of the brain.
The Haunted Scanner, however, is made of chipboard, wood scraps, and consumer electronics. It’s weather-beaten and forlorn, and yet, it still seems to function, in a way. It can’t quite scan your brain, but maybe it can offer glimpses into some kind of murky inner world. Who built this weird machine, and why? It’s like a vestige of a strange society whose meaning has been lost. Perhaps it had a scientific function, a medical function, a spiritual function, or perhaps it was constructed just for fun. Other odd objects exist in the same strange parallel universe. Are they fetishistic relics of past technologies, venerated by the last remnants of a dying culture? Are they powerful talismans, whimsical toys, or simply nostalgic souvenirs of times gone by?
Technical support and creative consultation by Rob Cruickshank.
Many thanks to Abdullah Al-Gailani, Sarah Duncan, Mikayla Salomons, Dr. Michael Noseworthy and Jordi Alfaro for research support in the early stages of this project.
Financial support generously provided by Turkstra Lumber, the Arts Research Board at McMaster, and the Ontario Arts Council.
EVENTS
Opening Reception: Thursday, January 26th, 5:30 – 8:30 PM
Artist Talk: Wednesday, March 15th, 12:30 – 1:20 PM
Artists: Sally McKay and Von Bark
January 17, 2023 – May 19, 2023
UPCOMING EXHIBITIONS
MORE PAST EXHIBITIONS
We Remain Certain
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s
Read More
FEATURED PUBLICATIONS
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The Clichettes: Lips, Wigs, and Politics
Published on the occasion of the exhibition The Clichettes: Lips, Wigs, and Politics held at the McMaster Museum of Art (M(M)A) in Hamilton, Ontario in 2024. With essays by Ivana Dizdar, Marni Jackson, John Greyson, Alexandra Schwartz, Mark Kingwell, rl Goldberg, Lillian Allen, and Wanda Nanibush. Bridging theatre, lip-sync, dance, drag, costume, and comedy, the […]
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self/same/other
Barbara Astman, Carl Beam, Meryl McMaster, Sorel Cohen, Joseph Beuys, Bidemi Oloyede, Christina Leslie, Jeff Thomas, Micah Lexier, László Moholy-Nagy This exhibition brings together artworks drawn from the M(M)A permanent collection that present diverse ways of exploring self-imaging and subjectivity through different types of photo-based media. Expanding the genres of portraiture and self-portraiture, selected works […]
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Coins in the McMaster Museum of Art: The Greek and Roman Collections
Ancient Greek and Roman coinage represents the intersection of politics, economics, and art; no other medium in the ancient world more closely reflects the decisions of administrations, the expectations of civic bodies, and detailed craftspersonship. Coins are among the most ubiquitous artifacts from Classical antiquity and despite their small size, are among the most instructive […]
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IMMUNE NATIONS
This catalogue documents a multi-year art-science project called Immune Nations, produced on the occasion of its exhibition at the McMaster Museum of Art in Hamilton, Ontario, Canada. Initiated in 2014 and co-led by Steven Hoffman (York University), Sean Caulfield (University of Alberta), and Natalie Loveless (University of Alberta), Immune Nations brought together scientists, policy experts, […]
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Peripheral Vision(s)
Peripheral Vision(s) includes scholarly essays by some of the most prominent Indigenous and non-Indigenous voices within the fields of Indigenous art history and art criticism today.
SUBMISSIONS & ASSISTANCE
SUBMISSIONS:
The McMaster Museum of Art is presently not accepting artists’ submissions for exhibitions at this time of leadership change at the museum. Our Interim Director will be undertaking a review of the museum’s forward exhibition schedule, as well as our policies and procedures, in the coming months. Our present focus is the ongoing maintenance of our permanent collection and storage needs for future collection activities.
The museum remains committed to our collecting priority in the continued support of early career, mid-career and established Indigenous artists, artists of the Black diaspora and racialized artists through purchases and commissions. Donations will be welcomed and reviewed at a future date which will be posted on our website.
ASSISTANCE:
The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.
Please note that there has been a delay in the OAC opening the 2024-2025 program. This webpage will be updated with our deadlines as soon as possible.
Priorities:
Artists who demonstrate an interest and consideration of art as a medium for social change and action.
Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:
Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work
