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CURRENT EXHIBITION

A series of small ceramics and pottery arranged neatly in rows on a 6-stepped white platform. A series of small ceramics and pottery arranged neatly in rows on a 6-stepped white platform.

Sameer Farooq: The Fairest Order in the World

The Fairest Order in the World is an exhibition of works by Cape Breton born, Toronto based interdisciplinary artist Sameer Farooq curated by Mona Filip. The exhibition presents a poetic and thought-provoking exploration of museums’ colonial histories through a mixed media installation that probes notions of provenance, repatriation, and repair.

In The Fairest Order in the World, Farooq arranges a series of new and recent sculptures and images to articulate unique ideas for repurposing the emptied spaces of museums devoid of their spoils. The works prompt reflection on the fraught and violent histories that have prevailed in these institutions over time and suggest what they might become through the mechanics of restitution, what they may shift to collect and document, and what kind of experiences they could nurture.

The exhibition takes its title from a text fragment of Ancient Greek philosopher Heraclitus: “The fairest order in the world is a heap of random sweepings.” Considering the idea that the most organized and just attempt at a universal order is equally as flawed or filled with balance and beauty as an arbitrary pile of refuse, Farooq’s meticulously choreographed assembly invites us to interrogate our relationship with art objects and museum displays, as well as the ordering narratives they uphold.

Organized by Dalhousie Art Gallery.

Opening Reception:
Thursday, October 24th, 5 – 8PM. Remarks at 6PM.

Image credit: Sameer Farooq, If it were possible to collect all navels of the world on the steps to ASCENSION, 2019. Installation view at Dalhousie Art Gallery, 2023. Photo by Steve Farmer.


Sameer Farooq is a Canadian artist of Pakistani and Ugandan Indian descent, born in Cape Breton and based in Toronto. Farooq has held exhibitions at institutions around the world including The Venice Biennale of Architecture (2023), Fonderie Darling, Montréal (2022); Susan Hobbs, Toronto (2022); Koffler Gallery, Toronto (2021); Patel Brown, Toronto (2021); Lilley Museum, Reno (2019); Aga Khan Museum, Toronto (2017); Institute of Islamic Culture, Paris (2017); Contemporary Art Gallery, Vancouver (2016); The British Library, London (2015); Maquis Projects, Izmir (2015); Artellewa, Cairo (2014); and the Art Gallery of Ontario, Toronto (2011). Reviews dedicated to his work have been published by Art Forum, Canadian Art, The Washington Post, BBC Culture, Hyperallergic, Artnet, The Huffington Post, and C Magazine. He is an alumnus of the prestigious Bemis Center Residency.

Mona Filip is a contemporary art curator and writer based in Toronto. Originally from Romania, she received her BFA from the Corcoran School of Art, Washington DC, and her MFA from SUNY at Buffalo. With an idea-driven and dialogue-focused approach, Filip collaborates with artists to produce experiential installations that engage the public on sensorial, emotional and intellectual levels. Filip’s curatorial experience spans over forty exhibitions and site-specific projects, collaborations with guest curators, and a broad range of public programs.

Suggested Reading.

Press Release.

Essay by Mona Filip, Curator.

Alternative Text Descriptions.

Coloured Dalhousie Art Gallery Logo Coloured Arts Nova Scotia logo  Canada Council for the Arts logo   City of Halifax coloured logo

Curated by: Mona Filip

October 1, 2024 - February 28, 2025

VIEW ARCHIVE
Link to Exhibitions Archive for a complete list of past exhibitions

PAST EXHIBITIONS

A blurred person walks in front of a wall featuring the photographic series Grace (2006). The artworks on display are photos of figures with hands covering their faces. Installation view of I'm Not Your Kinda Princess at Plug In ICA.

Lori Blondeau: I’m Not Your Kinda Princess

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Faded title

SUMMA 2024: Yearbook

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Detail of Rajni Perera, Storm, 2020.

Rajni Perera: Futures

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A collaged and layered photograph of the Grand River floats in the centre of a black background, along with the words: Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s Image courtesy of Courtney Skye. The list of artists is displayed along the bottom: Dakota Brant, Denny Doolittle, Elizabeth Doxtater, Kaya Hill, Rick Hill, Arnold Jacobs, Ken Maracle, Shelley Niro, Protect The Tract Artist Collective, Steve Smith, Greg Staats, Kristen E. Summers, Jeff Thomas

We Remain Certain
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s

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Two artworks suspended in a grey background; Nicholas Baier's Octobre, and Shelley Niro's Nature's Wild Children.

Chasm

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Artist Mike MacDonald in Gage Park, photo captured by Dianne Bos.

Lisa Myers: Finding what Grows

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The SUMMA 2023 logo is an overlapping triple diamond design, featuring shapes coloured in gradient from red to yellow, purple to pink, and green to blue. The logo is suspended in the centre of a background consisting of a pink and blue swirling gradient.

SUMMA 2023 – Where We Intersect: Identities, Environments, Activisms

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Screen grab of the virtual artwork refuge (SIREN), by nichola feldman-kiss & Matheuszik with SPATIAL-ESK. The image shows an underwater landscape with an iceberg, floating scales, and a far away architectural structure surrounded by floating stools.

nichola feldman-kiss / refuge (SIREN)

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SUBMISSIONS & ASSISTANCE

SUBMISSIONS:

The McMaster Museum of Art is presently not accepting artists’ submissions for exhibitions at this time of leadership change at the museum.  Our Interim Director will be undertaking a review of the museum’s forward exhibition schedule, as well as our policies and procedures, in the coming months.  Our present focus is the ongoing maintenance of our permanent collection and storage needs for future collection activities.

The museum remains committed to our collecting priority in the continued support of early career, mid-career and established Indigenous artists, artists of the Black diaspora and racialized artists through purchases and commissions. Donations will be welcomed and reviewed at a future date which will be posted on our website.

ASSISTANCE:

The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.

Please note that there has been a delay in the OAC opening the 2024-2025 program. This webpage will be updated with our deadlines as soon as possible.

Priorities:
Artists who demonstrate an interest and consideration of art as a medium for social change and action.

Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:

Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work