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PAST EXHIBITION

Screen grab of the virtual artwork refuge (SIREN), by nichola feldman-kiss & Matheuszik with SPATIAL-ESK. The image shows an underwater landscape with an iceberg, floating scales, and a far away architectural structure surrounded by floating stools. Screen grab of the virtual artwork refuge (SIREN), by nichola feldman-kiss & Matheuszik with SPATIAL-ESK. The image shows an underwater landscape with an iceberg, floating scales, and a far away architectural structure surrounded by floating stools.

nichola feldman-kiss / refuge (SIREN)

Go to refuge (SIREN)

refuge (SIREN) is an immersive web exhibition and digital dissemination project created as an extension of nichola feldman-kiss’ solo exhibition Scapegoat, presented at the McMaster Museum in the Winter of 2022. This exploratory site is an output of the artist’s prosocial practice-based research that explores colonial paradigms and the globalized order’s effects on human life and the environment. Scapegoat and another recent exhibition project called Siren III take on new meanings as varied elements inspired by their visceral hybrid-media installations are designed into this compelling interactive landscape.

Reflecting on themes from migratory culture and forced displacement to geopolitics and climate crisis, refuge (SIREN) is an excursion through oceanic passages, diasporic imaginaries and existential transitions. Submerged into the unsettling depths of descent and ascension, accompanying texts, audio works and images are remixed together in this virtual space which acts as a portal through tenacious journeys into new possible cartographies, honouring life’s urgent will to survive and thrive.

Words and Voices


nichola feldman-kiss creates across disciplines with emphasis on relational, lens and hybrid media technologies presented as social engagement, institution intervention and public installation. feldman-kiss’s process-rich research proposes identity as a fugitive concept while focusing on the body as a contested site of cultural production. The artist’s 25 year oeuvre is an ongoing critique of the Colonial paradigm (the violent ingestion of land, resources, peoples and cultures). Their artworks and installations lay bare the entanglements of globalised order that insist rights onto some while withholding the same entitlements from others, and ask us to reconsider difficult questions about what it means to be conscious social bodies within the contemporary moment. nichola feldman-kiss art and technology innovations and institution interventions have been hosted by the National Research Council of Canada, the Ottawa Hospital Eye Institute, Canada’s Department of National Defence, and the United Nations among others.

nichola feldman-kiss holds an MFA from California Institute of the Arts. feldman-kiss is a first-generation Canadian of the Caribbean diaspora and a repatriated citizen of Germany and Jamaica working between Toronto (Tkaronto) and rural Newfoundland (Ktaqmkuk).


Refuge has been produced to accompany the exhibition nichola feldman-kiss \ Scapegoat (February 9 – March 18, 2022) at the McMaster Museum of Art and curated by Pamela Edmonds and Mona Filip | Original words and artworks are courtesy of nichola feldman-kiss ©2021 | Site design by Toronto based digital design collective, feldman-kiss & Matheuszik with Spatial-esk for the McMaster Museum of Art, 2022 | Installation photography by Toni Hafkenscheid | precipice and panacea written and excerpts read by Spatial-esk, Toronto, 2022 | Dreaming with Sirens III, Dreaming with Water written and excerpts read by Anita Girvan, Victoria, 2022 | Considered the Censured (Fragments) written and excerpts read by Luther Konadu, Winnipeg, 2022.


The museum and the artist acknowledge the support of the Ontario Arts Council.

Ontario Arts Council logo

Artists: nichola feldman-kiss & Matheuszik with SPATIAL-ESK

February 08, 2023 – May 08, 2023

VIEW ARCHIVE
Link to Exhibitions Archive for a complete list of past exhibitions

PAST EXHIBITIONS

Faded title

SUMMA 2024: Yearbook

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Detail of Rajni Perera, Storm, 2020.

Rajni Perera: Futures

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A collaged and layered photograph of the Grand River floats in the centre of a black background, along with the words: Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s Image courtesy of Courtney Skye. The list of artists is displayed along the bottom: Dakota Brant, Denny Doolittle, Elizabeth Doxtater, Kaya Hill, Rick Hill, Arnold Jacobs, Ken Maracle, Shelley Niro, Protect The Tract Artist Collective, Steve Smith, Greg Staats, Kristen E. Summers, Jeff Thomas

We Remain Certain
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s

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Two artworks suspended in a grey background; Nicholas Baier's Octobre, and Shelley Niro's Nature's Wild Children.

Chasm

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Artist Mike MacDonald in Gage Park, photo captured by Dianne Bos.

Lisa Myers: Finding what Grows

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The SUMMA 2023 logo is an overlapping triple diamond design, featuring shapes coloured in gradient from red to yellow, purple to pink, and green to blue. The logo is suspended in the centre of a background consisting of a pink and blue swirling gradient.

SUMMA 2023 – Where We Intersect: Identities, Environments, Activisms

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Screen grab of the virtual artwork refuge (SIREN), by nichola feldman-kiss & Matheuszik with SPATIAL-ESK. The image shows an underwater landscape with an iceberg, floating scales, and a far away architectural structure surrounded by floating stools.

nichola feldman-kiss / refuge (SIREN)

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A black, cone shaped piece of earthen material floating against a black background

Chris Myhr: Salients

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SUBMISSIONS & ASSISTANCE

POLICY:

To promote and stimulate learning, interest and continued enjoyment about the visual arts, the Museum will organize an annual programme of temporary exhibitions for presentation year round.

Exhibition proposals/submissions are accepted on an on-going basis.

The Director/Curator will select and establish the annual exhibition programme in collaboration with the curatorial team. An exhibition schedule will be presented by the Director/Curator to the Advisory Board of the Museum once each year

PROCEDURE:

Proposals are accepted from artists and curators.

REQUIREMENTS:

10-20 digital images, project description, and CV.

View digital image requirements

PLEASE SEND PROPOSALS TO:

Carol Podedworny, Director and Curator
McMaster Museum of Art
University Ave, McMaster University
1280 Main Street West
Hamilton, Ontario L8S 4L6
podedwo@mcmaster.ca

ASSISTANCE:

The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.

The 2023-24 Exhibition Assistance Program opens on June 7, 2023, and closes on January 16, 2024. Our deadlines for the programming year are:

  • September 7, 2023, 1 p.m. ET
  • December 7, 2023, 1 p.m. ET

 

Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:

Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work