An evidence-based exhibition about the constructive role that art can play in public discourse around life-saving vaccines.
The COVID-19 pandemic has raised urgent questions related to effective use of vaccines and has led to polarized global debates on vaccine equity.
<Immune Nations> is the first multi-year research-based exhibition to specifically address the issue of vaccination from a collaborative, interdisciplinary perspective, attentive to the arts and its many roles for advocacy and political intervention. The outcome of a multi-year project that was developed prior to the pandemic (2014-2017), co-led by Natalie Loveless with Steven Hoffman and Sean Caulfield, the exhibition explores complex issues related to the use and distribution of vaccines in the world today and the capacity of artistic research to solicit complex forms of affective engagement when dealing with difficult and divisive social and political topics such as vaccination.
For the McMaster Museum of Art, the exhibition presents original work alongside new work produced in the context of the ongoing COVID-19 pandemic.
Featuring collaborative art and research projects by Jesper Alvær, Sean Caulfield, Timothy Caulfield, Patrick Fafard, Caitlin Fisher, Steven J. Hoffman, Johan Holst, Annemarie Hou, Alison Humphrey, Rachelle Viader Knowles, Kaisu Koski, Vicki S. Kwon, Patrick Mahon, Lathika Sritharan, and Mkrtich Tonoyan.
View the <Immune Nations> exhibition brochure.
To register for the panel discussions, click here.
Watch the Virtual Exhibition Tour:
Header image: Kaisu Koski, Injection Simulator, 2015. Courtesy of the artist.
<Immune Nations> was funded with support from the Research Council of Norway and the Social Sciences & Humanities Research Council of Canada.
We acknowledge the support of the Natural Sciences and Engineering Research Council of Canada (NSERC).
Nous remercions le Conseil de recherches en sciences naturelles et en génie du Canada (CRSNG) de son soutien.
Curated by: Natalie S. Loveless, Associate Professor, Contemporary Art History and Theory, University of Alberta
September 14, 2021 – December 10, 2021
Peripheral Vision(s) includes scholarly essays by some of the most prominent Indigenous and non-Indigenous voices within the fields of Indigenous art history and art criticism today.
Animals Across Discipline, Time & Space brings together works by five North American artists who use animal imagery to critically and dramatically address how we animals interact with the world around us.
A Cultivating Journey examines the collection of significant European historical and modern art donated to the McMaster Museum of Art by Herman Levy in 1984.
To promote and stimulate learning, interest and continued enjoyment about the visual arts, the Museum will organize an annual programme of temporary exhibitions for presentation year round.
Exhibition proposals/submissions are accepted on an on-going basis.
The Director/Curator will select and establish the annual exhibition programme in collaboration with the curatorial team. An exhibition schedule will be presented by the Director/Curator to the Advisory Board of the Museum once each year
Proposals are accepted from artists and curators.
10-20 digital images, project description, and CV.
Carol Podedworny, Director and Curator
McMaster Museum of Art
University Ave, McMaster University
1280 Main Street West
Hamilton, Ontario L8S 4L6
The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.
The 2021-22 program is open from June 2021 until January 14, 2022. Our deadlines for the programming year are:
Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:
Brief artist statement
Confirmation letter from the gallery/museum/venue
Digital images of work