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PAST EXHIBITION

Greg Staats: liminal disturbance

Greg Staats is a photographer and video artist whose work combines language, mnemonics and the natural world. Staats draws upon a traditional Mohawk restorative aesthetic that defines the multiplicity of relationships inherent within the reciprocity of the condolence ceremony and the effects of trauma.

The centre-piece of Staats’ McMaster Museum of Art exhibition is a work entitled dark string repeat, (2010). Dark string repeat is a video installation composed of a string of wampum, video camera and digital projector which provides a video feedback unit which enables the visitor to view the process of a live event and creation as well as to ponder mediation and the acquisition and loss of language. It also exposes an underlying emotional and vulnerable dialogue: confronting the fear of the loss of self, a state of mind further reflected by the codified and heightening voice of the dark wampum string while the gallery wall becomes its mnemonic support. The reciprocity of an electronic pulse of the feedback creates a space for a recovered process of renewal.

Liminal disturbance brings together several works by Staats that reference language loss, acquisition and resurgence through photographic series, video works, and personal archival materials.

An exhibition brochure with an essay by Richard (Rick) W. Hill, Sr., Tuscarora, will be available at the McMaster Museum of Art. An expanded exhibition publication is being produced in collaboration with the Grenfell Campus Art Gallery, Memorial University, Newfoundland.


Greg Staats (b. Ohsweken, Ontario, Six Nations of the Grand River Territory) has had solo exhibitions at the Kitchener-Waterloo Art Gallery, Walter Philips Gallery, Banff, Tom Thomson Memorial Art Gallery, Mercer Union, Gallery TPW, Toronto. Group exhibitions include; Ottawa Art Gallery, the Canadian Museum of Contemporary Photography, the National Gallery of Canada and the Museum of Canadian Contemporary Art. Staats is the recipient of the Duke and Duchess of York Prize in Photography. Recently, Staats has been Faculty for two Aboriginal Visual Arts Thematic Residencies: Archive Restored (2009) and Towards Language (2010) at the Banff Centre for the Arts.

List of Works in Exhibition:

auto mnemonic six nations, 2007
6 toned silver prints
30 x 30 inches each

six nations condolence, 2008
6 archival digital prints on hahnemuhle
20 x 27 inches each

at the edge of the woods, 2009
archival digital print on hahnemuhle
24 x 40 inches

where submerged bushes tremble – tashina general, 2010
archival digital print on hahnemuhle
24 x 20 inches

new spaces, 2010
silkscreen on somerset
24 x 26 inches

presage, 2010
6 toned silver prints
20 x 24 inches each

phenomena (one), 2011
douglas fir, 3 – 10 x 12 x 46 inches each

liminal disturbance, Canada, 2011, video, 3:41, colour, sound

dark string repeat, 2010
video live feedback installation.
purple wampum string, digital projector, analog DVR and tripod

Curated by: McMaster Museum of Art

November 17, 2011 – January 28, 2012

abstract blue and turquoise image
VIEW ARCHIVE
Link to Exhibitions Archive for a complete list of past exhibitions

PAST EXHIBITIONS

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A photo of The Clichettes dressed as muscular men with wild hair, they are jumping mid-air holding colourful guitars.

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Faded title

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Detail of Rajni Perera, Storm, 2020.

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A collaged and layered photograph of the Grand River floats in the centre of a black background, along with the words: Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s Image courtesy of Courtney Skye. The list of artists is displayed along the bottom: Dakota Brant, Denny Doolittle, Elizabeth Doxtater, Kaya Hill, Rick Hill, Arnold Jacobs, Ken Maracle, Shelley Niro, Protect The Tract Artist Collective, Steve Smith, Greg Staats, Kristen E. Summers, Jeff Thomas

We Remain Certain
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s

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Two artworks suspended in a grey background; Nicholas Baier's Octobre, and Shelley Niro's Nature's Wild Children.

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Artist Mike MacDonald in Gage Park, photo captured by Dianne Bos.

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The SUMMA 2023 logo is an overlapping triple diamond design, featuring shapes coloured in gradient from red to yellow, purple to pink, and green to blue. The logo is suspended in the centre of a background consisting of a pink and blue swirling gradient.

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SUBMISSIONS & ASSISTANCE

SUBMISSIONS:

The McMaster Museum of Art is presently not accepting artists’ submissions for exhibitions at this time of leadership change at the museum.  Our Interim Director will be undertaking a review of the museum’s forward exhibition schedule, as well as our policies and procedures, in the coming months.  Our present focus is the ongoing maintenance of our permanent collection and storage needs for future collection activities.

The museum remains committed to our collecting priority in the continued support of early career, mid-career and established Indigenous artists, artists of the Black diaspora and racialized artists through purchases and commissions. Donations will be welcomed and reviewed at a future date which will be posted on our website.

ASSISTANCE:

The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.

The museum is currently accepting applications. Our next program deadline is: December 16, 2024.

Priorities:
Artists who demonstrate an interest and consideration of art as a medium for social change and action.

Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:

Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work