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PAST EXHIBITION

125 & 45: An Interrogative Spirit

In 1887, while Canadian artist George Agnew Reid (1860-1947) was adding the final brushstrokes to his iconic Ontario genre painting, Call to Dinner; and English photographer Eadweard Muybridge (1830-1904) undertook his pioneering freeze-frame photography of human and animal motion that bridged science and art; McMaster University was founded.

The McMaster Museum of Art (MMA) now celebrates both the 125th anniversary of McMaster University and the 45th anniversary of the Museum with a two part exhibition, 125 & 45: an interrogative spirit. This exhibition highlights some of the key donors and benefactors who have contributed to the development of the art collection interweaving landmark moments in the histories of the University and Museum.

The MMA has a teaching and research collection that is unique in Canada—the most coherent collection of German Expressionist works, as well as works by European precursors, concurrent vanguard movements, and contemporary legacies.

The Museum’s birth at McMaster University sprang from the convergence of like-minded efforts. The foundation of the German Expressionist collection in the early 1960s by Professors Karl Denner (German Department) and George Wallace (Art History and Fine Art Department) coincided with the establishment of the Wentworth House Art Committee to purchase contemporary Canadian and European works.  This led Wallace, along with Dr. Togo Salmon, Chair of the History Department, to push for a purpose-built gallery on campus. It opened in 1967.

The most dramatic and significant moment for the Museum was the Herman Levy collection donation of European historical and Impressionist and Post-Impressionist art in 1984  (a second donation of works came in 1990). Levy’s association with the University dates from the late 1940s and his bequest, in 1990, provided funds for significant international historical, modern and contemporary works. Recently, the Donald Murray Shepherd Trust (a former McMaster Classics professor) provided funds for the purchase of modern period European works by David Bomberg, Christian Rohlfs and Natalia Goncharova, which will be included in the exhibition.

2012 is also represented by a promised gift, a unique and rare A.Y. Jackson figurative painting done in 1913. The work was offered by McMaster graduates (1951) J. Russell and Winifred Hewetson, It has been in their family collection for almost 80 years and this is its first public exhibition.

In addition to the works by Reid and Muybridge, this exhibition includes works by Carl Beam, David Burliuk, Gustave Caillebotte, Otto Dix, Elisabeth Frink, Naum Gabo, Hortense Gordon, Alexej Jawlensky, Arnaud Maggs, Claude Monet, Camille Pissaro, Robert Rauschenberg, Gerhard Richter, Pauta Saila (and other Inuit works from the 1980 donation by McMaster alumni William Berry), Egon Schiele, Chaim Soutine, Andy Warhol, and Joyce Wieland.

Curated by: McMaster Museum of Art

January 20, 2012 – August 04, 2012

VIEW ARCHIVE
Link to Exhibitions Archive for a complete list of past exhibitions

PAST EXHIBITIONS

A blurred person walks in front of a wall featuring the photographic series Grace (2006). The artworks on display are photos of figures with hands covering their faces. Installation view of I'm Not Your Kinda Princess at Plug In ICA.

Lori Blondeau: I’m Not Your Kinda Princess

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A photo of The Clichettes dressed as muscular men with wild hair, they are jumping mid-air holding colourful guitars.

The Clichettes: Lips, Wigs, and Politics

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Faded title

SUMMA 2024: Yearbook

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Detail of Rajni Perera, Storm, 2020.

Rajni Perera: Futures

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A collaged and layered photograph of the Grand River floats in the centre of a black background, along with the words: Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s Image courtesy of Courtney Skye. The list of artists is displayed along the bottom: Dakota Brant, Denny Doolittle, Elizabeth Doxtater, Kaya Hill, Rick Hill, Arnold Jacobs, Ken Maracle, Shelley Niro, Protect The Tract Artist Collective, Steve Smith, Greg Staats, Kristen E. Summers, Jeff Thomas

We Remain Certain
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s

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Two artworks suspended in a grey background; Nicholas Baier's Octobre, and Shelley Niro's Nature's Wild Children.

Chasm

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Artist Mike MacDonald in Gage Park, photo captured by Dianne Bos.

Lisa Myers: Finding what Grows

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The SUMMA 2023 logo is an overlapping triple diamond design, featuring shapes coloured in gradient from red to yellow, purple to pink, and green to blue. The logo is suspended in the centre of a background consisting of a pink and blue swirling gradient.

SUMMA 2023 – Where We Intersect: Identities, Environments, Activisms

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SUBMISSIONS & ASSISTANCE

SUBMISSIONS:

The McMaster Museum of Art is presently not accepting artists’ submissions for exhibitions at this time of leadership change at the museum.  Our Interim Director will be undertaking a review of the museum’s forward exhibition schedule, as well as our policies and procedures, in the coming months.  Our present focus is the ongoing maintenance of our permanent collection and storage needs for future collection activities.

The museum remains committed to our collecting priority in the continued support of early career, mid-career and established Indigenous artists, artists of the Black diaspora and racialized artists through purchases and commissions. Donations will be welcomed and reviewed at a future date which will be posted on our website.

ASSISTANCE:

The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.

The museum is currently accepting applications. Our next program deadline is: December 16, 2024.

Priorities:
Artists who demonstrate an interest and consideration of art as a medium for social change and action.

Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:

Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work