Meryl McMaster: Bloodline is a survey exhibition of a remarkable Canadian artist whose large-scale photographic works reflect her mixed Plains Cree/Métis, Dutch, and British ancestry. This exhibition looks back to McMaster’s past accomplishments and brings us up to date on her current explorations of family histories, in particular those of her Plains Cree female forebears from the Red Pheasant Cree Nation in present day Saskatchewan.
While some of her earliest works infuse historical representations of Indigenous peoples with contemporary aspects, others suggest a sort of imaginative repossession of the land, articulated in dreamlike scenarios. Her elaborate costumes, which she crafts herself, embody the blended strains of her ancestry, often echoing historical garments and ceremonial regalia.
McMaster’s more recent works picture the artist on the home territory of her father’s Plains Cree family on Red Pheasant Cree Nation in central Saskatchewan, Canada. These recent works reach for connection across time to the three generations of remarkable Plains Cree and Métis women who came before the artist in the family line. As McMaster puts it, “While we may never know the full truths of our ancestors, we can still hold their memories close to our hearts.” A mother now herself, she continues to delve for the roots of her cultural identity, expanding her practice in this exhibition to include, for the first time, two recent video-based works titled Niwaniskân isi Kiya | I Awake to You (2023) and Nipēhtēnān Kiteh | We Can Hear Your Heartbeat (2023).
Organized and circulated by the McMichael Canadian Art Collection
In partnership with Remai Modern
Exhibition Dates: November 25, 2025–March 6, 2025
Opening Reception: Thursday, January 29, 5 – 8pm (remarks at 6pm)
Virtual Artist’s Talk: Meryl McMaster
This conversation with artist Meryl McMaster and chief curator Sarah Milroy focuses on Meryl’s solo exhibition Bloodline which documents the artist’s current explorations of family histories, in particular those of her Plains Cree/Métis female forebears from the Red Pheasant Cree Nation in present day Saskatchewan.
Meryl McMaster is nêhiyaw from Red Pheasant Cree Nation, a member of the Siksika Nation, and has Métis, Niitsitapi (Blackfoot), British and Dutch ancestry. Her work is predominantly photography based, incorporating the production of props, sculptural garments and performance, forming a synergy that transports the viewer out of the ordinary and into a space of contemplation and introspection.
McMaster is the recipient of the Scotiabank New Generation Photography Award, the REVEAL Indigenous Art Award, Charles Pachter Prize for Emerging Artists, the Canon Canada Prize, the Eiteljorg Contemporary Art Fellowship, the OCAD U Medal and was long listed for the 2016 Sobey Art Award.
Her work has been acquired by various public collections within Canada and the United States, including the Canadian Museum of History, the Art Gallery of Ontario, Montreal Museum of Fine Arts, the Eiteljorg Museum, the National Museum of the American Indian, the Ottawa Art Gallery, the Nelson-Atkins Museum of Art and Indigenous and Northern Affairs Canada.
Her work has been included in exhibitions throughout Canada, the United States and the United Kingdom, including the Smithsonian’s National Museum of American Indian, the Art Gallery of Ontario, Prefix Institute of Contemporary Art, the Eiteljorg Museum, the Ottawa Art Gallery, the Museum of Contemporary Native Arts, the McMichael Canadian Art Collection, the Mendel Art Gallery and the Art Gallery of Greater Victoria.
Image Credit
Meryl McMaster Remember The Sky You Were Born Under, 2022
Giclée Print
101.6 x 152.4 cm
Courtesy of the artist, Stephen Bulger Gallery, and Pierre-François Ouellette art contemporain
Curated by: Sarah Milroy, Frances and Tim Price Executive Director and Chief Curator, McMichael Canadian Art Collection and Tarah Hogue, Adjunct Curator (Indigenous Art), Remai Modern.
Link to Publications Archive for a complete list of publications
FEATURED PUBLICATIONS
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The Clichettes: Lips, Wigs, and Politics
Published on the occasion of the exhibition The Clichettes: Lips, Wigs, and Politics held at the McMaster Museum of Art (M(M)A) in Hamilton, Ontario in 2024. With essays by Ivana Dizdar, Marni Jackson, John Greyson, Alexandra Schwartz, Mark Kingwell, rl Goldberg, Lillian Allen, and Wanda Nanibush. Bridging theatre, lip-sync, dance, drag, costume, and comedy, the […]
Barbara Astman, Carl Beam, Meryl McMaster, Sorel Cohen, Joseph Beuys, Bidemi Oloyede, Christina Leslie, Jeff Thomas, Micah Lexier, László Moholy-Nagy This exhibition brings together artworks drawn from the M(M)A permanent collection that present diverse ways of exploring self-imaging and subjectivity through different types of photo-based media. Expanding the genres of portraiture and self-portraiture, selected works […]
Coins in the McMaster Museum of Art: The Greek and Roman Collections
Ancient Greek and Roman coinage represents the intersection of politics, economics, and art; no other medium in the ancient world more closely reflects the decisions of administrations, the expectations of civic bodies, and detailed craftspersonship. Coins are among the most ubiquitous artifacts from Classical antiquity and despite their small size, are among the most instructive […]
This catalogue documents a multi-year art-science project called Immune Nations, produced on the occasion of its exhibition at the McMaster Museum of Art in Hamilton, Ontario, Canada. Initiated in 2014 and co-led by Steven Hoffman (York University), Sean Caulfield (University of Alberta), and Natalie Loveless (University of Alberta), Immune Nations brought together scientists, policy experts, […]
Peripheral Vision(s) includes scholarly essays by some of the most prominent Indigenous and non-Indigenous voices within the fields of Indigenous art history and art criticism today.
The McMaster Museum of Art is presently not accepting artists’ submissions for exhibitions at this time of leadership change at the museum. Our Interim Director will be undertaking a review of the museum’s forward exhibition schedule, as well as our policies and procedures, in the coming months. Our present focus is the ongoing maintenance of our permanent collection and storage needs for future collection activities.
The museum remains committed to our collecting priority in the continued support of early career, mid-career and established Indigenous artists, artists of the Black diaspora and racialized artists through purchases and commissions. Donations will be welcomed and reviewed at a future date which will be posted on our website.
ASSISTANCE:
The McMaster Museum of Art is a third party recommender for Ontario Arts Council (OAC) Exhibition Assistance Grants.
The museum is currently accepting applications. Our next program deadline is: December 16, 2024.
Priorities:
Artists who demonstrate an interest and consideration of art as a medium for social change and action.
Please follow the guidelines established by the Ontario Arts Council, apply directly through their website, and submit the following with your applications:
Brief artist statement
Confirmation letter from the gallery/museum/venue
Budget
CV
Digital images of work