This year, the McMaster Museum of Art platforms and participates in a rethinking of the museum concept. Curators Pamela Edmonds and Betty Julian present an exploratory collection exhibition which looks inward at the museum, reframing acquisitions to reflect on inequitable power dynamics and encourage critical dialogue of the oppressive systems embedded in museum practices. The full exhibition will open for public viewing as of June 13th, 2023, and join us this Fall for a program of public events – to be announced soon.

Chasm
Curated by Pamela Edmonds and Betty Julian

On view until December 8, 2023
Opening Reception: Thursday, September 28th, 5 – 8 PM

Artists: Marissa Y Alexander, Sonny Assu, Nicolas Baier, Catherine Blackburn, Deanna Bowen, Joseph Calleja, Douglas Clark, Chris Cran, Paul Cvetich, Cathy Daley, Max Dean, Stan Douglas, FASTWÜRMS, Gerald Ferguson, Yves Gaucher, Betty Goodwin, Francisco Jos. de Goya y Lucientes, Angela Grauerholz, Spring Hurlbut, Clarissa Inglis, Alfredo Jaar, Svava Thordis Juliusson, Anselm Kiefer, Kapwani Kiwanga, James Lahey, Rita Letendre, Gino Lorcini, Liz Magor, John Massey, Guido Molinari, Shelley Niro, Ed Pien, Margaret Priest, Arthur Renwick, Susan Schielle, Takao Tanabe, Michael Thompson, Graham Todd, Serge Tousignant, Jan Wade, Shellie Zhang

Chasm continues a series of recent exhibitions exploring the permanent collection at the McMaster Museum of Art through critical curatorial frameworks. This exhibition offers diverse and transcultural perspectives and interpretations of the museum’s holdings, including recent acquisitions.

Chasm takes the unique vantage point of critiquing the power dynamics of colonialism from within the museum, informed by the transcultural positions of resistance that seek Indigenous sovereignty and Black liberation.

Guest curator and former M(M)A Senior Curator Pamela Edmonds, and M(M)A Adjunct Senior Curator Betty Julian present this critical and exploratory exhibition as a project making connections to art discourses and ideologies related to modernism, critiques of the white cube gallery, alterity, and ontological space. Our interests are to consider and to actively shift hegemonic paradigms through a radical rethinking of the exhibition space.

Our curatorial conversations on how to activate critical dialogue within museums through exhibitions are meant to encourage and expand informed engagement. Our critical and curatorial tasks have been to find ways through our work to redress and resist the cultural amnesia surrounding intersecting systems of colonialism, patriarchy, capitalism and the anti-Black racism inherent in the foundation of our art institutions.