November 13, 2012
Naomi Jackson Groves (1910-2001) was the niece of A.Y. Jackson (1882-1974), and daughter of commercial artist H.A.C. Jackson, so it isn’t much of a surprise that art came easily to her. She was heavily influenced by her uncle and father, and followed in their footsteps to become a well regarded artist in her own right, but she never forgot her roots, as shown in her painting Unk on a Log (1973). In this painting, Jackson Groves portrays her uncle A.Y. Jackson as he paints a Canadian landscape. Jackson Groves painted a full scene, rather than just the figure of her uncle probably in an attempt to show a behind-the-scenes view of an artist at work, to give people a better understanding of the creative process.

Similarly, in Simon Tookoome Drawing (1989), a drypoint work by John Hartman (1950-), the artist gives a behind-the-scenes look at another renowned artist, Simon Tookoome (1934 – 2010). He turns influences and inspiration into physical beings and has them guiding the subject’s hand.
– Maryssa Barras, HWDSB Secondary School Coop student
Art as the Fifth Pillar of Health: Patricia Bovey to Deliver Keynote Lecture
September 17, 2026
Fall 2026 Exhibitions at the McMaster Museum of Art
September 4, 2026
Connected Histories, Research, and Archives—Interview with Nnamdi Nnake
September 1, 2026
What stories can the telegraph tell? More than a century after telegraph lines began to stretch across Nigeria, Connected Histories: The Telegraph in Nigeria invites visitors to take a fresh look at a technology that helped shape modern communications, colonial governance, labour, and everyday life. Drawing on the doctoral research of McMaster University PhD candidate Nnamdi Nnake, the exhibition brings together rare artifacts, archival […]