The McMaster Museum of Art presents:

KUNIYOSHI vs CVETICH: Gangnam Style

January 12 – April 15, 2017

This exhibition presents a selection of recent sculptural works by Hamilton-based artist Paul Cvetich alongside woodblock prints from McMaster Museum of Art’s collection by Utagawa Kuniyoshi (Japanese 1797 – 1861).

RECEPTION

Thursday, January 12, 6-8 pm

ARTIST TALK

Thursday, January 19, 7:30 pm at Mills Hardware (95 King St. E., Hamilton)
Presented by the Hamilton Arts Council as part of their Echo Artist Talk series.

It came about because of Cvetich’s interest in aspects of Kuniyoshi’s art, an interest which grew while he was teaching English in Korea and Japan twelve years ago. At that time, Cvetich purchased several Kuniyoshi prints for himself. Upon his return, he examined McMaster’s collection.

For Cvetich, Kuniyoshi’s work is food for thought, to generate his creative action or enactment as he delves into the possible intersections of the respective visual languages and cultural distinctions over a 150 year period.

Cvetich commented:

“I had found a strange sort of comfort in both Korean and Japanese calligraphy when walking the streets. I loved the torque in Kuniyoshi’s figures, the same torque I recognized in the work of Italian Baroque sculptor and architect Gian Lorenzo Bernini and British 20^th century painting Francis Bacon. I draw endless grids of my own calligraphic mimicry, then finding little pictographs that inspire me to cut forms out of wood. I play with the pieces, small compositions that then seem to be attracted to each other to form more complex compositions.”

The “vs” and “Gangnam Style” in the title is a nod to Korean rapper Psy’s song that went viral in 2012. If the original Psy subtext was living beyond one’s means—referring to a wealthy enclave in Seoul—it can also suggest that the imagination can have free play, to be serious and playful at the same time. Culture, style and attitudes have a shifting set of perspectives and views, and embrace selective adaptations.