November 13, 2012
Naomi Jackson Groves (1910-2001) was the niece of A.Y. Jackson (1882-1974), and daughter of commercial artist H.A.C. Jackson, so it isn’t much of a surprise that art came easily to her. She was heavily influenced by her uncle and father, and followed in their footsteps to become a well regarded artist in her own right, but she never forgot her roots, as shown in her painting Unk on a Log (1973). In this painting, Jackson Groves portrays her uncle A.Y. Jackson as he paints a Canadian landscape. Jackson Groves painted a full scene, rather than just the figure of her uncle probably in an attempt to show a behind-the-scenes view of an artist at work, to give people a better understanding of the creative process.

Similarly, in Simon Tookoome Drawing (1989), a drypoint work by John Hartman (1950-), the artist gives a behind-the-scenes look at another renowned artist, Simon Tookoome (1934 – 2010). He turns influences and inspiration into physical beings and has them guiding the subject’s hand.
– Maryssa Barras, HWDSB Secondary School Coop student
Beyond February: Collecting Care and Reimagining Black Histories
March 3, 2026
The Black Madonnas of Perpetual Murmurs 19, 2023 collage, composition gold leaf, cutout on paper Museum of Art Collection Trust, 2024 As this year’s Black History Month come to a close, the McMaster Museum of Art wishes to extend its sincere appreciation to the Equity and Inclusion Office for their leadership and dedication in creating […]
McMaster Museum of Art wins Exhibition of the Year for The Clichettes: Lips, Wigs and Politics
December 2, 2025
On Monday, December 1, 2025, Galeries Ontario / Ontario Galleries (GOG) announced the winners of the 48th Annual GOG Awards and the McMaster Museum of Art (M(M)A) took away the top award for the Exhibition of the Year (Budget Over $50K) for the Fall 2024 exhibition The Clichettes: Lips, Wigs and Politics produced in partnership […]
The Creative Process: Well-being through art with the McMaster Museum of Art
August 22, 2025